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Crawl Looks Like Jaws For Alligators And It's Awesome

Crawl Looks Like Jaws For Alligators And It's Awesome
Kaya Scodelario in Crawl

You know what I love most about the trailer for Crawl? You KNOW that the creative team behind it basically watched The Meg – and knew about Jaws – and thought, “What other water-based creature can we tap into to produce that same fun vibe?” The answer appears to be “Alligators,” as this wild thriller appears to sell in the first giddy trailer for Crawl. Check it out:


What’s not to love about Crawl? It takes place during an unprecedented storm. It fully embraces its Florida setting, evacuating residents during a Category 5 hurricane. And it traps Kaya Scodelario and Barry Pepper in their slowly flooding home as a pack of wild alligators hunt them.


Perfect. Where do I buy a ticket?




You need more? The creative team behind Crawl is producer Sam Raimi (Evil Dead, Spider-Man) and director Alexandre Aja (Horns, Piranha 3D, The Hills Have Eyes). The know horror, and Aja has shown with his movies that he understands how to have fun in truly terrifying situations. Also, did you notice that there’s a scene in the trailer where the crocodile bites down on Scodelario’s hand while she’s holding a gun, so she unloads a clip of bullets into the beast’s belly?


Again, where do I buy a ticket?


To coincide with the launch of the Crawl trailer, Paramount actually dropped a funny viral meme that will remind people of the Orange Tile used to drum up anticipation for the Fyre Festival. If you were scanning Instagram this morning and saw this, you might have wondered what was going on:




Well, it’s warning people that “Help isn’t coming.” Just like the orange tile warned Fyre Festival attendees that real food and luxury accommodations weren’t coming.


What, too soon?


Let’s hope that Crawl turns out to be more successful than the Fyre Festival. And again, with the people involved, we’re at least expecting a gratuitous thrill ride that’s more The Meg than it is Sharknado. Crawl will slither into theaters during the hectic summer blockbuster season, where it will go head to head against 21 Bridges and the action comedy Stuber. All three will want to hurry up and make their money, though, because The Lion King will be breathing down their collective necks the following weekend.




Alexandre Aja directs Crawl, the people vs alligator thriller, which stars Kaya Scodelario (Pirates of the Caribbean), Barry Pepper, Morfydd Clark and Ami Metcalf. Will they be more than simple alligator feed? Find out later this summer.

Samuel L. Jackson Surprised Italian Marvel Fans At Avengers: Endgame Screening

Samuel L. Jackson Surprised Italian Marvel Fans At Avengers: Endgame Screening

This weekend Marvel fans the world over will be able to see a ridiculous number of their favorite stars on the big screen, as Avengers: Endgame collects characters from all corners of the beloved Cinematic Universe for one big blockbuster. Very few, however, will be able to watch the movie with a real Marvel star in attendance - but that's exactly what one screening in Italy recently got to experience thanks to a surprise appearance by Samuel L. Jackson:


Samuel L. Jackson has been an integral part of the Marvel Cinematic Universe from the very beginning - specifically ever since the original Iron Man when he first told Robert Downey Jr.'s Tony Stark about the existence of the Avenger Initiative - but due to his shooting schedule he wasn't one of the stars who attended the world premiere of Avengers: Endgame earlier this week. That was almost surely a bummer for the actor, but the good news is that it didn't take him too long to catch a screening of the film.


Per Samuel L. Jackson's personal Instagram account, he recently made a special appearance at the Cinema Ambasciatori in Trieste, Italy where he surprised fans by ducking into a screening of Avengers: Endgame. Jackson is currently in the region doing work on both the upcoming The Hitman's Wife's Bodyguard and reshoots for Spider-Man: Far From Home, and it seems that he got a break in his schedule long enough to squeeze in a cool surprise for Italian cinema fans.




Since appearing in Iron Man, Samuel L. Jackson has been a consistent presence in the Marvel Cinematic Universe, having notably signed an early nine picture deal with Marvel Studios when the franchise was still in its infancy. Jackson followed up his cameo as Nick Fury in the 2008 Jon Favreau film with a more substantial part in Iron Man 2, and then he was back on the big screen again as the director of S.H.I.E.L.D. in Captain America: The First Avenger. Following his turn in The Avengers, he made a special appearance in the first season of Agents of S.H.I.E.L.D., and was then in both Captain America: The Winter Soldier and Avengers: Age Of Ultron.


After that we didn't see much of him for a few years, but 2019 is pretty huge for Nick Fury. Not only did we just recently see him playing a major role in Captain Marvel, but this summer we expect him to have a key part in the aforementioned Spider-Man: Far From Home, where he will be recruiting Peter Parker (Tom Holland) for a mission while the high schooler is on a European field trip.


What will come next for him? Only time will tell. You'll just have to go see every Marvel movie from here on out and wait for Samuel L. Jackson's potential presence. And even if he doesn't appear on screen, he may wind up sitting next to you in your local theater.



How The Avatar Crew Feels About Fox Selling To Disney

How The Avatar Crew Feels About Fox Selling To Disney
Avatar 20th Century Fox

Avatar is the highest-grossing movie of all time, which also makes it 20th Century Fox's highest-grossing movie. It's certainly something the studio had a right to brag about. But now Disney owns Fox, and James Cameron can no longer lean on his tight relationship with Rupert Murdoch and family. That relationship started with Aliens back in 1986 and was meant to continue through the upcoming Avatar sequels.


So how does the Avatar team feel about Fox now being owned by Disney? Bittersweet is one word to describe it. Here's what Titanic and Avatar producer Jon Landau had to say:



We're very sad the Murdochs chose to sell the company. But if they're going to sell the company, there's nobody better than Disney to sell it to. They get Avatar in terms of what its potential is, not just as a movie but as a franchise.





And Disney has enough money to fund it all, so that helps.


Jon Landau is James Cameron's producer at Lightstorm Entertainment, and he stayed positive and hopeful in his quote to The Hollywood Reporter. As THR noted, James Cameron had an unusually strong bond with Fox's Murdochs -- in one example, they gave him the extra time he needed for the much-delayed Titanic, which certainly paid off -- and now he's working for Disney. Disney is a place where IP like Marvel and Star Wars are the real stars and he's not likely to have any kind of special relationship like he enjoyed with the Murdochs.


However, the Avatar team has already worked with Disney on past projects, including theme parks, so it's not like they are all strangers starting from scratch.




There are four planned sequels to Avatar, which made $2,787,965,087 worldwide after its December 2009 release. A couple of months ago, producer Jon Landau said each movie would be a standalone movie, and you won't have had to see Avatar to enjoy Avatar 2. (But is there anyone left who hasn't seen Avatar?)


In 2016, James Cameron said the storyline of the sequels would follow Jake (Sam Worthington) and Neytiri (Zoe Saldana) and their children, as more of a family saga about the struggle with the humans.


In January 2019, Disney CEO Bob Iger referenced two Avatar sequels on the way, but noted Disney hadn't given Avatar 4 and 5 the green light at that point. However, Jon Landau followed that by saying Iger's quotes may have been misinterpreted --- telling HeyUGuys not only were Avatar 4 and 5 greenlit, they had already filmed part of Avatar 4.




In February, Jon Landau told Collider the performance-capture parts of Avatar 2 and Avatar 3 -- and part of Avatar 4 -- were complete. He said they would be filming the live-action portions in New Zealand this spring, aka right about now.


Just recently in late March, Jon Landau told THR they were moving forward on production the same way they were before the Disney/Fox deal officially closed last week.


Way back in 2006, James Cameron had said if Avatar was successful, he wanted to make two sequels. Well, it did pretty well. Sequels were originally scheduled for 2014 and 2015. Obviously that didn't happen, and future dates also didn't pan out.




James Cameron is no stranger to delays, and no stranger to gigantic blockbusters. The good news is that technology has advanced so much in the past decade that the sequels should be more impressive than ever.


As of now, Avatar 2 is scheduled for release on December 18, 2020, which would be exactly 11 years after Avatar opened. Avatar 2 is currently scheduled for December 17, 2021. The next films are expected in 2024 and 2025.


By the way, Jon Landau and James Cameron also produced Alita: Battle Angel for Fox. There are question marks on whether that film made enough to justify sequels, but it sounds like the ball might be in Disney's court for that decision.



Bad News, Marvel Confirmed Shuri’s Death In Avengers: Infinity War

Bad News, Marvel Confirmed Shuri’s Death In Avengers: Infinity War
Shuri working on Vision in Avengers Infinity War

For months, the fate of Letitia Wright's Shuri in the Marvel Cinematic Universe was a mystery. Despite having a prominent role in Avengers: Infinity War, the blockbuster never showed audiences what happened to the character after Thanos snapped his fingers with the completed Infinity Gauntlet, so we were all left in the dark regarding how she fared during The Decimation.


Admittedly the first trailer for Avengers: Endgame released in December 2018 did provide us with a solid lead - showing her on a monitor as being among the world's dead heroes - but now it looks like we have official confirmation courtesy of the new movie's character posters: Shuri got dusted.


Earlier today Marvel Studios released a grand total of 32 new one-sheets for Avengers: Endgame, and during the rollout it wasn't hard to discover a pattern: all of the living characters are featured in color, and all of the dead ones are in black-and-white. There were a few exciting surprises mixed in, such as revelations regarding Tessa Thompson's Valkyrie, Benedict Wong's Wong, and Jon Favreau's Happy Hogan (all revealed to be alive), but the artwork also seems to confirm that Shuri was one of Thanos' many, many victims.


This isn't really a surprise for those who took the information provided in the first Avengers: Endgame trailer at face value, but it's understandable why some people questioned the preview's credulity. After all, Shuri's face was featured right next to a picture of Paul Rudd's Scott Lang on the aforementioned monitor, and the very end of that footage showed Scott very much alive and at the front door of the Avengers facility. Also, Joe and Anthony Russo have confirmed that marketing material has been doctored to protect certain elements of the movie, so who knows what we can really trust?




All that being said, there actually was good reason to believe when the first trailer said that Shuri was counted among the Decimated. After all, her situation at the time of the Thanos snap was a lot different than Scott Lang's. None of the heroes specifically knew where Scott was when half of life in the universe was eliminated, so when he didn't turn up after the event it was just assumed that he was dusted (the reality actually being that he was trapped in the Quantum Realm). Shuri, on the other hand, was present in Wakanda with the Avengers battling against the Black Order and their Outriders, so the team knew exactly where she should have been... and clearly she wasn't there.


This is obviously a bummer, as Shuri is one of the most exciting new characters featured in the Marvel Cinematic Universe, and audiences are hungry to see more of her in big screen adventures. I guess this just means that fans will be rooting that much harder that the heroes will somehow be able to reverse the events of Avengers: Infinity War and save the fallen.


As of today we now just have one month to wait for the arrival of Avengers: Endgame, and excitement is near the point of boiling over. Obviously we'll been covering the hell out of it here on CinemaBlend for the next few weeks, so stay tuned as we get closer and closer.



Avengers: Endgame Seemingly Confirms Valkyire, More Characters Made It Through The Decimation

Avengers: Endgame Seemingly Confirms Valkyire, More Characters Made It Through The Decimation

While we learned the fate of many of the most important heroes at the end of Avengers: Infinity War, the Marvel Cinematic Universe is a massive place full of characters that we've all come to care about. The last film didn't take the time to show us what happened to all of them, but a collection of new character posters seems to reveal that several characters whose fates were unknown, like Valkyrie, Happy Hogan and Wong appear to have survived Thanos' snap of doom. Here's the new character poster for Tessa Thompson's Valkyrie.


The posters of all the Marvel characters look basically the same. They're all simple headshots of the Marvel hero with the words, "Avenge the Fallen" written across them. However, there is one major difference. Some posters, like the ones for characters we know are alive, like Tony Stark or Nebula, are in full color. Others, for characters we know are dead, like Black Panther or Doctor Strange, are in black and white, as you see here...


If we can safely assume that all characters who get a poster in color are alive, then we can conclude that Valkyrie, Jon Favreau's Happy Hogan, and Wong are all alive, as is Pepper Potts, as their posters are all in color. Since we never saw them fade away or saw them in any scene after the snap had happened, we simply didn't know their fate until now.




Unfortunately, with the good news comes some bad news as well. Letitia Wright's Shuri, who stole the show in Black Panther has been confirmed to be dead by this method, as her poster is in black and white.


Of course, in the case of Valkyrie, one has to wonder if the poster means even more than that. Tessa Thompson's character never appeared in Avengers: Infinity War despite the last place we saw her being the same ship with Thor, Loki, and Hulk. Does the existence of this poster at all mean that Valkyrie will play a role in Avengers: Endgame? Neither Valkyrie nor Happy Hogan had any major role in Infinity War, so one has to wonder why they're getting posters now. The obvious reason is that the characters will matter in the new film. Valkyrie and Happy Hogan save the universe? I'm good with that.


All of our questions will finally be answered, and the fallen will be avenged, April 26.



First Look At Billy Dee Williams Back As Lando Calrissian In Star Wars: Episode IX

First Look At Billy Dee Williams Back As Lando Calrissian In Star Wars: Episode IX
Billy Dee Williams as Lando Calrissian in Star Wars: Episode IX

Although we recently reunited with Lando Calrissian in Solo: A Star Wars Story, that was with Donald Glover playing a younger version of the future Cloud City administrator. As far as Billy Dee Williams’ version is concerned, it’s been almost 40 years since we last saw him on the big screen in Return of the Jedi, but that finally changes later this year in Star Wars: Episode IX. Now we finally have our first look at Williams’ Lando back in action. Check it out!


As you can see, rather than wear the same kind of duds he wore in The Empire Strikes Back and Return of the Jedi, Billy Dee Williams’ Lando Calrissian has pulled from his Solo: A Star Wars Story wardrobe, donning a yellow shirt like the one Donald Glover wore. However, if there’s one consistent thing we can expect from any iteration from Lando, it’s a cape, and Williams looks great wearing one of those again.


As for Lando Calrissian’s location in this Star Wars: Episode IX picture, while I originally thought it was the cockpit of the Millennium Falcon, the ship that belonged to him before Han Solo won it in a game of sabacc, it’s also possible this is simply someone’s humble abode somewhere in a galaxy far, far away. Either way, Lando’s doing a spectacular job of brightening the room.




Although Billy Dee Williams vocally reprised Lando Calrissian a few years back for two episodes of Star Wars Rebels, there’s nothing like seeing Williams in person inhabiting the role again after all this time. And while Mark Hamill will be back as Luke Skywalker (undoubtedly as a Force ghost) and unused footage of Carrie Fisher from The Force Awakens and The Last Jedi will allow Leia Organa to have a presence, it’s nice to have another member of the Original Trilogy guard participate in Episode IX, especially with this being the final installment of this trilogy.


While it’s nice to have this picture of Billy Dee Williams back as Lando Calrissian, the character’s specific role in Star Wars: Episode IX is still being kept under wraps, which is par for the course with this franchise, as it’s ridiculously careful not to divulge too many plot details. But here’s what Williams had to say about reprising Lando after all these years:



I didn’t expect to be in this adventure, but I got lucky. I ended up working for someone I have a tremendous regard for J.J. Abrams. He’s a beautiful man. I’ve been doing this for a long time, 60 years… but I regard this as a real highlight, a true, genuine highlight.





Billy Dee Williams also added that it wasn’t hard to get back into character, as Lando Calrissian never “left” him. However Lando ends up fitting into Episode IX, it’ll be good not just to see him back in action, but also interacting with the protagonists who have lead the charge in this current Star Wars trilogy.


Star Wars: Episode IX, or as it’s now officially known, Star Wars: The Rise of Skywalker, opens in theaters on December 20. Stay tuned to CinemaBlend for more updates, and check out our 2019 release schedule to learn when this year’s other movies are coming out.

Yes, Avengers: Endgame Will Still Beat Avatar ... Eventually

Yes, Avengers: Endgame Will Still Beat Avatar ... Eventually
Avengers: Endgame Captain America looks intense

I'm seeing a lot of naysayers out there now. Debbie Downers. They no longer believe Avengers: Endgame will top Avatar as the highest-grossing movie of all time. Blasphemers. Listen, I no longer think Endgame will top Avatar by the end of May -- I flew way too close to the sun on that call -- but it will seal the deal eventually. I still think it will happen this summer. Worst case scenario, it takes a re-release like Avatar got to pick up an extra $30 million or so. Since the gap is currently about $110.5 million in total, every million counts.


Avengers: Endgame's current worldwide gross is $2,677,472,736.

Avatar's worldwide gross is $2,787,965,087.


Before Avengers: Endgame came out, there was talk that it had potential to top Avatar. Some scoffed at the idea, but they stopped after that massive record opening weekend. However, some doubters are back, saying it will be a tough climb for Endgame to close the deal now:





It's slowed down more than we all expected.



That's the word from Shawn Robbins, chief analyst at BoxOffice Media, to THR. He had predicted Endgame passing Avatar in mid-June. Now he has moved his prediction to Labor Day. However, he added this caveat:



If it performs like it has been up to this point, there is about a $10 million to $20 million margin that falls half north and half south of Avatar. But it would be surprising if Disney didn’t get it there somehow.





If Avengers: Endgame gets within $10-$20 million, do a big marketing campaign to push it over the edge -- or take a break and then come back for a re-release. James Cameron's 2010 re-release gave Avatar an extra $10.74 million at the domestic box office and $22.46 overseas for a total boost of $33.2 million. If Marvel makes a production about a last call to see Avengers: Endgame before it's pulled from many theaters, fans will head out to help it pass Avatar.


That's a key difference here. There's a movement. After 10 years of Avatar rule, fans are ready for a new champion. There's a push for Endgame, which is considered worthy of the new title. When Endgame passed Titanic, there were cheers. Endgame has already passed Avatar at the domestic box office, but it's the overall worldwide total that really counts. (Endgame is not going to pass the domestic box office leader, Star Wars: The Force Awakens. But it has already passed that movie in total worldwide gross.)


Labor Day sounds like a fine time to pass Avatar, from here. Avatar took a lot longer to get to where it is, with its run compared to more of a marathon than Endgame's current sprint. Avatar spent over 60 weeks in theaters.




Avengers: Endgame has been out for five weeks and it's still ranked #3 on the box office charts during a competitive Memorial Day weekend. It just made $16.8 million at the domestic box office this weekend. Yeah, it played on 410 fewer screens than last week. Week to week, we're going to see Endgame lose screens as films like Godzilla: King of the Monsters, Toy Story 4, The Lion King, and more show up. But Avengers: Endgame is going to keep at least one screen in many theaters through the summer. It's the other smaller films that will be completely pushed aside.


I still believe Endgame will close that $110 million gap, thanks in part to U.S./Canada fans still buying repeat tickets, but also from the all-important international box office. Endgame has already made $1.8 billion dollars at the foreign box office, per Box Office Mojo. International fans are in this game right alongside the rest of us. We're going to get this job done eventually, and I won't be surprised if it's before Labor Day. Marvel Studios could even openly advertise it as an Avatar battle. Call it what it is. A fight to the finish.


What say you? Will Avengers: Endgame still top Avatar? If so, when? Do you have a revised prediction?



New Mortal Kombat Movie Gets A Release Date, And Some Powerful Competition

New Mortal Kombat Movie Gets A Release Date, And Some Powerful Competition
Raiden and He-Man

It seems like a feature film reboot of Mortal Kombat has been talked about for a long time, and even once James Wan was brought aboard to produce a few years ago, it still seemed like it was quite a ways off. Then few days ago, we heard that the new Mortal Kombat had finally started pre-production. Now we know when Mortal Kombat will arrive and the powerful competition it will face when it does.


According to Variety, Warner Bros. has picked March 5, 2021 as the date the next Mortal Kombat tournament begins in theaters. In keeping with the spirit of the property, Mortal Kombat is ready to fight some formidable competition -- because just days ago, it was announced that March 5, 2021 is also the new release date for the latest Masters of the Universe adaptation.


Masters of the Universe was at one point supposed to release this year, but that obviously isn’t happening. Now the Sony film from directors Adam and Aaron Nee and starring Netflix heartthrob Noah Centineo as He-Man will arrive in 2021. It will do battle with producer James Wan’s Mortal Kombat, which is being directed by Australian director Simon McQuoid, who has done commercial work for popular video games including Halo and Call of Duty.




Other films with their flag planted on March 5, 2021 are the animated Nimona and an Untitled Universal Event Film. The latter may make this one-on-one fight into a triple threat depending what it is, but at the moment the story of March two years from now will be Mortal Kombat testing its might against Masters of the Universe.


It’s an interesting bout given that both properties hold nostalgic sentiment for kids of the '80s and '90s. Both properties have also had previous feature film adaptations. The 1980s cartoon He-Man and the Masters of the Universe was adapted into Masters of the Universe starring Dolph Lundgren in 1987, and Midway’s video game series, which first debuted in 1992, received a feature film in 1995. That film is still held up as one of the best video game adaptations to date.


Anecdotally, I think Mortal Kombat has maintained more cultural relevance and awareness than Masters of the Universe and that may help it in this fight. In fact, the latest Mortal Kombat video game, Mortal Kombat 11, was just released to rave reviews back in April.




We don’t know much about either film yet, and neither directing team -- Aaron and Adam Nee vs. Simon McQuoid -- has enough of a track record to say one film has the competitive advantage creatively. I will be curious to see if Mortal Kombat goes the R-rated route, as its bloody source material would dictate and many fans might hope for. That would certainly impact its chances to defeat the almost assuredly PG-13 Masters of the Universe.


Of course, two years from now is a long time and it is entirely possible that one of these films will blink and seek greener pastures elsewhere on the calendar. Regardless of ratings, I feel these two films are essentially competing for the same millennial audience and would probably be better served not cannibalizing each other. Because whoever wins, it won’t be a flawless victory.


With pre-production beginning soon and filming starting later this year, hopefully we’ll begin to hear more details about Mortal Kombat, like which characters will be showing up and who will be playing them.




Mortal Kombat looks to fatality Masters of the Universe when both open in theaters on March 5, 2021. Check out our 2019 Release Schedule to see all of this year’s biggest movies and let us know in the poll below what ticket you’ll be buying in 2021.

The Time Star Wars Security Had To Bribe Tourists To Delete Spoiler Photos

The Time Star Wars Security Had To Bribe Tourists To Delete Spoiler Photos
Sea Cow Rian Johnson's Idea in Star Wars: The Last Jedi

Creating creatures for Star Wars films is no easy feat. In the case of the sea creatures made famous in Star Wars: The Last Jedi thanks to their green milk, a puppeteer spent hours inside with only Coca Cola and diapers to appease him or her. However, stuffing a live human inside a puppet for hours wasn’t the only bizarre thing the crew on Episode VIII had to deal with. The crew also had to deal with American tourists attempting to take spoiler photos of the creatures.


Special effects creative supervisor Neal Scanlan told a zany story at Star Wars Celebration, noting that when the crew was shooting sea cow scenes in Ireland, an American couple starting snapping images of the brand new Star Wars creature from a distance. He said:



There was a time when an American couple had taken a boat ride. They had no idea from the distance they were that [the sea cow] was being operated by puppeteers. So, they took all these photographs. And this huge thing went out with security. Security was like, ‘You’ve got to apprehend these people before they get to the shore.' The story goes that I think security did ‘a deal’ for several free meals if they were allowed to delete photographs off of the cameras.





As you could imagine, security was obviously displeased and rushing around to rectify the situation. We know from past history that the sea cows were carefully created in Pinewood studios from foam latex and then flown by helicopter to Ireland, where the main sea cow and two smaller background sea cows were constructed. It was an ordeal and hassle to get them to the filming location and then to have to deal with factors outside their control I'd guess had to feel a little bit ridiculous.


From what Neal Scanlan revealed, the American tourists may not have really understood what they were filming, but had the images gotten out, they would have been spoilers nonetheless.


This isn’t the first time a major movie or TV show has been spoiled by a seemingly random turn of events. We just heard a story like a week ago about how Game of Thrones did a bazillion things to make sure security was tight in Belfast and then a festival came to town that included a giant ferris wheel basically setting up “a viewing platform” for the set. Rough.




So, while it seems zany that American tourists could get close enough to film the sea cows on the set of Star Wars: The Last Jedi, weird stuff like this happens every single day.


Ultimately, all was well that ends well. I can remember seeing the creatures for the first time and being both wowed and disturbed by the  sequence, particularly when Mark Hamill’s Luke Skywalker milked the darn creature and then drank its green bounty. The perfectly shocked look that Daisy Ridley quickly makes and then tries to disguise on her face is still etched in my mind. It’s been over a year since the movie came out and it's still memorable.


(Reportedly, in real life, the green milk was not as disgusting as it looked.)




So, the shock value was certainly there with this particular creature, which Neal Scanlan also mentioned at Star Wars Celebration was a creation that came from Rian Johnson’s mind.


We’ll have to wait and see what’s in store for the upcoming Star Wars: The Rise of Skywalker, but if the first look at the new creatures is any indication, we should be in for treat. The Rise of Skywalker will hit theaters on December 20, 2019. The first trailer for the new movie is out now.

Rocketman Has Screened, See What People Are Saying

Rocketman Has Screened, See What People Are Saying
Taron Egerton as Elton John in Rocketman

On the heels of the worldwide box office phenomenon known as Bohemian Rhapsody comes another tribute to a popular music icon who rose to fame in the ‘70s and loved to don a glittery get-up: Rocketman. Taron Egerton stars as Elton John in a biopic/musical framed around his breakthrough years.


Ahead of its theatrical release in a couple weeks, Rocketman has now premiered at Cannes Film Festival in France to a standing ovation from the crowd. That’s certainly a good sign! But did it lift off and soar in critics' eyes? Let’s take a look at some of the first reactions about the fantasy musical.


CinemaBlend's own Sean O'Connell is now in London doing interviews for Rocketman. Before that, he had a chance to see the movie and shared his rave review:





We can talk about Rocketman? It’s FANTASTIC. A wonderful, emotional and uplifting musical that weaves Elton John’s classics into a heartbreaking ode to fame. Taron Egerton is BRILLIANT and Dexter Fletcher stages jaw-dropping musical interludes. A home run!



That's a great start! Rebecca Keegan of The Hollywood Reporter sounds like she was absolutely floored by the film. Take a look:



Hot damn, Taron Egerton is the real deal. Rocketman is a musical about picking yourself up off your ass and Taron delivers the sweat, grit and vulnerability it needs.





Along with loving Taron Egerton’s iteration of the music sensation, she praised it for the “I’m Still Standing” message. The actor worked closely with the Elton John himself, even having to sing and act with John in front of him, which he understandably found to be extremely intimidating. The iconic musician has been quite supportive of Egerton though.


Not everyone was completely convinced by Egerton’s performance though. The Guardian’s Peter Bradshaw felt he didn’t quite hit every note with these words:



Dexter Fletcher’s Rocketman is a good-natured biopic-slash-jukebox-musical with Taron Egerton gamely doing a middleweight impersonation, more comfortable with the lighter side, better at the tiaras than the tantrums.





When it comes to the dramatic aspects of Rocketman, Bradshaw didn’t feel like he sold it. Conversely, Stuart Oldham of Variety specifically pointed out the more somber moments of the film hitting a high for him. Here’s what he said:



Rocketman is fantastic, a musical drama that hits all the right notes, especially the sad ones.



Elton John’s husband of 26 years, John Furnish, recently watched the flick and said his personal struggles at the beginning of his career and prior to their life together made him want to give John a hug. Considering some of these reactions, as an audience we may collectively be feeling the same way as the film discusses his stint in rehab and sexual identity.




A couple months ago, there were rumors that Paramount had cut a “nude cuddle” between Taron Egerton’s Elton and Richard Madden’s John Reid due to the studio pulling back on the film’s adult content. This reaction from NY Times’ Kyle Buchanan indicates Rocketman does not steer away from portraying his sexuality. In his words:



Pleasantly surprised that Rocketman does not skimp on the gay sex, but the gayest thing about the movie is still Taron Egerton insisting he’s fat when he isn’t.



One primary criticism of last year’s Bohemian Rhapsody was the way it shied away from completely exploring Mercury’s relationships with men – Rocketman won’t be making that mistake. Richard Madden’s role is also gaining recognition as well. Here’s what Anne Thompson of IndieWire had to say:





Richard Madden is swaggeringly hot as Elton John’s manager John Reid who was also the villain in Bohemian Rhapsody. He really would make a great James Bond.



Comparisons to the Queen biopic just keep coming up! In addition to the film sharing a bit of the same subject matter and Dexter Fletcher being involved as director in both, it also includes one of the same villains. To round out the reactions, check out Ramin Setoodeh’s thoughts:



Rocketman is thankfully better than Bohemian Rhapsody. But it also feels like a Broadway musical that was forced into a movie. Or, The Greatest Showman set at the Abbey.





It looks like the movie is a lot more musical than biopic, but it still works better than the Queen film in his opinion. The Variety bureau chief also caught a sweet video of Taron Egerton’s own reaction upon seeing the film and watching the audience’s reaction at Cannes. Take a look:


The actor looks both happy and overwhelmed at his Rocketman debut! The 29-year-old actor is still fairly new to the industry and still best known for his Kingsman role. After the premiere, he and Elton John took to the stage to perform the song “Rocketman” together, captured by The Hollywood Reporter:


Wow! The actor has found a duet partner in Elton John before when they sang “Tiny Dancer” at an Oscars party in February. The pair look energized by the film’s screening in this performance. It was no doubt an emotional day for the both of them seeing their work on the film (and for John, quite literally his life’s work) finally premiere.




Rocketman hits theaters on May 31 and is expected to open at around $20 million during its first weekend as Godzilla: King of the Monsters presumably tops the musical.

New Godzilla: King Of The Monsters Video Pokes Fun At Ghidorah’s Name

New Godzilla: King Of The Monsters Video Pokes Fun At Ghidorah’s Name

If you thought 2014’s Godzilla and 2017’s Kong: Skull Island were crazy, Godzilla: King of the Monsters is kicking things up several notches on the chaos scale. This latest MonsterVerse entry is introducing three new monsters (that we know of), including the three-headed King Ghidorah. While Ghidroah is arguably the most dangerous of Godzilla’s new foes, a new preview for King of the Monsters takes some shots at the beast’s unusual name.


T here’s no question that King Ghidorah is a towering monstrosity and looking to be the biggest threat the MonsterVerse has introduced yet, but that doesn’t take away from the fact that it has a weird name. This Godzilla: King of the Monsters TV spot highlights that when one of the characters asks about its “catchy name.” Kyle Chandler’s Mark Russell doesn’t understand it right away and Thomas Middleditch’s Sam Coleman notes how the name sounds like ‘Gonorrhea.’ They’d better hope that Ghidorah doesn’t have enhanced hearing on top of its many other abilities.


Weird name aside, King Ghidorah is shaping up to be the biggest threat in Godzilla: King of the Monsters, which is saying a lot given how much destruction we’ve seen in the footage shown so far. Ghidorah is joined by Rodan and Mothra, though it should be noted that the latter is usually depicted as a benevolent creature in the Toho monster movies from Japan, so perhaps it won’t be giving humanity too much trouble. Regardless, in keeping with the monster’s numerous appearance in the Toho movies over the decades, King of the Monsters’ King Ghidorah is described as Godzilla’s arch-nemesis, so it’s a good bet that the sequel’s climactic confrontation will be between these two.




Picking up five years after the events of Godzilla with the entire world now knowing about the existence of the Titans, Godzilla: King of the Monsters sees Monarch crossing paths with all of these monsters as they vie for supremacy and put humanity’s very existence at stake. We can at least take comfort knowing that Earth won’t be destroyed since Godzilla vs. Kong arrives next year, but there will definitely be mass casualties due to these monsters wreaking havoc, many of which we can likely lay at Kind Ghidorah’s feet… or wings.


Along with the previously mentioned actors, Godzilla: King of the Monsters’ main cast includes Millie Bobby Brown, Vera Farmiga, Ken Watanabe, Sally Hawkins, Bradley Whitford, Charles Dance, Aisha Hinds, O’Shea Jackson Jr., David Strathairn and Zhang Ziyi. Each of King Ghidorah’s heads is played a different actor: Jason Liles, Alan Maxson and Richard Dorton.


Directed by Michael Dougherty, who also co-wrote the script with Zach Shields, Godzilla: King of the Monsters rampages into theaters on May 31. If you’re interested in learning what other movies are coming out later this year, head to out 2019 release schedule.



There’s A Wild Star Wars Rumor About Rey’s Parents

There’s A Wild Star Wars Rumor About Rey’s Parents
Rey and Han in The Force Awakens

The last few years have been very kind for Star Wars fans, as new and exciting properties have been introduced to help expand the galaxy far, far away. Standalone films broke new ground for the property, while The Mandalorian will be the first live-action TV series set in the galaxy. But the true attention of the fandom is one the main franchise, as The Rise of Skywalker is only months away.


J.J. Abrams will return to the director's chair for Episode IX, which will be in the final chapter in the Skywalker Saga. The movie will also wrap up the narrative that Abrams started with The Force Awakens. Rian Johnson revealed in The Last Jedi that Rey's parents were nobodies who abandoned her on Jakku, but some fans thought this might be red herring. Now a new rumor has been swirling, claiming that her father is none other than Harrison Ford's Han Solo.


This new rumor comes to us from Making Star Wars' Patreon podcast. The publication is a go-to source for all thing Star Wars, and touched on the new theory that Han is actually Rey's true father. The story is that when Leia was busy training with Luke in the wake of Return of the Jedi, Harrison Ford's smuggler had an affair--leading to the birth of the sequel trilogy's hero.




If this rumor comes to fruition, it would truly blow the minds of the generations of Star Wars fans. Rey's parentage has been a major point of conversation with the sequel trilogy, with endless theories arising in the years between The Force Awakens and The Last Jedi. But the latter movie consistently subverted fan expectations, and that includes Rey's bloodline.


If Han Solo were Rey's father, it would make a great deal of sense. He served as a mentor and father figure in The Force Awakens, and the two characters hit it off quickly. What's more, Rey's piloting of the Millennium Falcon came extremely easy to the emerging Jedi. She's still the person in possession of the iconic vessel, and has a close relationship with Chewbacca as well.


Related: All The Major Theories About Rey's Parents




When J.J. Abrams signed on to direct The Rise of Skywalker following the departure of Colin Trevorrow, fans were excited to see how Abrams will wrap up the story that he began with The Force Awakens. And if he didn't agree with Rian Johnson's creative choice regarding Rey's lineage, then perhaps the director will retcon that out of the canon, and reveal a larger twist.


There was certain doubt about Rey's parent reveal in The Last Jedi basically as soon as the movie arrived in theaters. It was Kylo Ren who revealed that Rey came from a pair of unremarkable parents. But could he have been lying in an attempt to bring Rey to her side and rule the galaxy together? It doesn't seem out of the question.


You can check out the scene in question below.


As you can see, Adam Driver's villainous Ben Solo doesn't reveal how he knows about Rey's parents. Instead, he prays on Rey's biggest insecurities, and simply fills in the blanks after she admits she came from nothing. So it would be pretty easy for J.J. Abrams to do an aboutface, and give her a more epic family tree.




All will be revealed when Star Wars: The Rise of Skywalker hits theaters on December 20th. In the meantime, check out our 2019 release list to plan your next trip to the movies.

All The Star Wars Movies Will Be Made Available On Disney+

All The Star Wars Movies Will Be Made Available On Disney+
Han Solo and Chewbacca in Star Wars: The Force Awakens

Ever since the Lucasfilm purchase was finalized in 2012, the Star Wars franchise has been part of the Disney empire… I mean, family, with The Force Awakens being the first movie to kick off this new era. So when it was announced that Disney was launching its own streaming service, Disney+, it was expected that Star Wars would feature prominently. Now it’s been officially announced that along with all the original Star Wars programming already announced, all of the Star Wars movies will be made available on Disney+, including the pre-Disney ones.


In case you’re wondering why this is surprising, it’s because last summer, Disney CEO Bob Iger said that pre-2019 Star Wars movies would not be available on Disney+ at the beginning due to licensing rights. It was also reported around the same time that Turner Broadcasting System owning the TV rights to most of the Star Wars movies prevented Disney from folding them into Disney+, and since this deal didn’t expire until 2024, the Mouse House was working to buy those rights back.


Evidently the company succeeded, because all the Star Wars movies will be viewing options on Disney+. However, don’t expect all of them to be available right at launch. The first two Star Wars trilogies, The Force Awakens and Rogue One will be there on Day 1, with The Last Jedi, Solo and Episode IX coming within the first year.




Episode IX not being available at the get-go makes sense, as Disney+ will be launching before the movie even hits theaters. As for The Last Jedi and Solo, I suspect the delay getting them to Disney+ involves Disney letting its old deal with Netflix run out. Once that happens, it’s only a matter of time before these are added to the streaming service’s catalog.


Star Wars was always going to be one of the main Disney+ draws, so for those of you who had been hoping that you’d be able to watch all the movies set in a galaxy far, far away on the service, your wish has been granted. It’s also logical to assume that more upcoming Star Wars movies, like the Rian Johnson trilogy and the film series being worked on by David Benioff and D.B. Weiss, will be thrown onto Disney+ after their theatrical runs have ended.


Of course, these movies are just the tip of the iceberg when it comes to Disney+ Star Wars content. So far two live action original shows have been announced: The Mandalorian, which is set in the decades between Return of the Jedi and The Force Awakens and will be available on Day 1, and the officially-untitled Cassian Andor and K-2SO series, which sees Diego Luna and Alan Tudyk reprising their respective Rogue One roles.




On the animation side of things, along with housing the previous seasons of Star Wars: The Clone Wars, Disney+ will also debut the show’s seventh season, which will be comprised of 12 episodes. One would imagine that Star Wars Rebels and Star Wars Resistance will also be thrown onto the service eventually, but so far there’s no official word on those two shows.


Stay tuned to CinemaBlend for more updates on the Star Wars franchise, which continues with the release of Episode IX on December 20. In the meantime, browse through our 2019 release schedule to learn what other movies are opening later this year.

Wait, MoviePass Stock Is Up 40%?

Wait, MoviePass Stock Is Up 40%?
The Gremlins enjoying a movie

Around this time last year, MoviePass was still flying high, disrupting the industry and helping millions of subscribers to see more movies than ever before. Then came the Mission: Impossible – Fallout incident, which sparked a series of public and costly stumbles that dragged down the service and saw its parent company’s stock plummet along with it. Now MoviePass is rising like a phoenix from the ashes…okay, well maybe not exactly, but MoviePass stock is up 40%.


Shares of Helios & Matheson Analytics were up over 40% yesterday in over-the-counter trading, rising above a penny and reaching 1.23 cents per share before the close of the day according to Deadline. The day also saw triple the normal volume of the company’s shares changing hands. This comes after Helios & Matheson shares were delisted from the NASDAQ last month due to the foibles of its MoviePass unit, which saw the company’s shares trade under $1 since last July.


So what changed? Well, it all comes down to the new business strategy MoviePass will be employing going forward. Helios & Matheson still plans on spinning off its MoviePass business into its own public traded company, to help distinguish the beleaguered movie service from the data analytics firm and the other parts of its business.





That new company, MoviePass Entertainment Holdings will be made up of three separate pillars, each addressing a different part of the business. MoviePass Films will be the company’s production arm, producing new movies under the MoviePass banner; the MoviePass subscription service and app for which the company gained its name; and the Moviefone brand that Helios & Matheson and MoviePass acquired from Verizon last year.


MoviePass said that this new three-pillar model would generate its own revenue, without reliance on studios and exhibitors. This is in stark contrast to the MoviePass of a year or so ago that entered the room with all the subtlety of the Kool-Aid man and wanted to strike deals with studios to promote movies and get a share of tickets and concessions from theater chains.


The idea is that the three parts of the business will work in concert, sharing each others resources in an ecosystem where each part benefits the others. The MoviePass Films arm will make movies with an eye towards transcending theaters, and get deals for home video releases and international distribution. That should then help the MoviePass theatergoing subscription service to grow. The Moviefone digital platform will then be used as a promotional tool for the other two pillars.





MoviePass admits it has made mistakes and it appear to be trying to remedy them with the hard-learned lessons of 2018. The MoviePass subscription service recently relaunched with 3 new pricing plans and now this new business model is another attempt by the service to regain its footing.


If this strategy works as intended, MoviePass can generate its own revenue and won’t be burning cash with the hopes of striking lucrative deals with entrenched parts of the industry. It’s obviously too early to say if that will be the case and one day’s stock increase is no guarantee that MoviePass has turned a corner, but it’s still a positive sign that shows that there is some optimism in the financial sector that this is a step in the right direction for the service.


Stay tuned to CinemaBlend for all your movie news and check out our 2019 Release Schedule to keep track of the biggest movies headed your way this year.




Why Making Little Woods Was A Huge Step For Tessa Thompson

Why Making Little Woods Was A Huge Step For Tessa Thompson
Lily James and Tessa Thompson talk in Little Woods

In the years since she made her professional acting debut in a 2005 episode of Cold Case, Tessa Thompson has seen her star rise to incredible heights. Recurring roles on television shows like Veronica Mars, Heroes, and Detroit 1-8-7 eventually led to leading parts in impressive features, and now she's at a point where she is concurrently starring in three different major franchises. Thanks to years of dedicated and outstanding work, her name now carries a significant amount of clout in the industry – and it’s something of which she’s not only aware, but using responsibly.


This brings us to her new film, Little Woods: the feature debut from writer/director Nia DaCosta. It’s an example of a smaller production that’s garnered more attention because of the cast involved – the ensemble also including Lily James, Lance Reddick, and James Badge Dale – but it should also be noted that Tessa Thompson’s involvement goes beyond just her part as the story’s protagonist. The movie also sees her credited as an executive producer for the first time, and as I recently learned during an interview, it’s a reflection of her desire to become more hands on with the projects that she chooses. Thompson explained,



[Nia DaCosta and I] got on and had a familiarity really quickly, and she was very generous because I was sort of at a point where I wanted to be more than just a cog in something moving. If I was going attach myself to projects and I was passionate about them, I'm someone that sort of looks at the whole picture and thinks really macro. So it became clear to me that I wanted to start producing, and really be integral to the project.





Following its world premiere last year at the Tribeca Film Festival, Little Woods will be getting a limited theatrical release this week, and in advance of the screenings I recently had the immense pleasure of sitting down with Tessa Thompson and Nia DaCosta together to talk about the film. Through our conversation I learned that Thompson was actually one of the first people to sign on to be a part of the movie, and what started as a simple leading role opportunity eventually expanded and led to her debut as an executive producer.


Continuing, Tessa Thompson acknowledged that she is currently at a place in her career where she can help support projects that might otherwise not have the opportunity to be made – and that very much includes movies like Little Woods, which is a dark, original indie drama with a female lead that tackles many prescient issues and themes (I can guarantee there aren’t too many of those currently playing at your local cineplex). At the same time, though, she also noted how important it was to let Nia DaCosta make the movie she wanted to make and not invade the creative process too much:



Particularly when you get to a place where you can help finance a thing, then you want to be able to talk about what the thing is in real robust ways. So [Nia DaCosta] and the producers were really generous letting me come on as an EP, so we continued to work through that. It was really cool through the cut, and at a certain point I was like, 'It's yours.' I can't give notes. It's not my movie, and I see myself and I'm like, 'I don't know - just do another take where I don't have a double chin.' Like, ‘I can't talk about this movie in an intelligible way, so it's yours now.’ (laughs)





Obviously that’s dripping with humorous self-deprecation, but Nia DaCosta followed up by stressing the reality of Tessa Thompson’s impact as a collaborator on the movie – particularly when it came to her specific role. The filmmaker noted that she puts a lot of stock in the perspectives of her actors, and through the production relied on Thompson to make the character as authentic and consistent as possible. Said DaCosta, talking directly to her star,



You also asked lots of questions, and there's always a moment for me personally where you kind of hand the character over because it's like someone checking your work, you know what I mean? It's asking questions like 'What's this?' and tracking the character - who this person is, who this person was before, and who they might be afterwards.



Based on an original screenplay by Nia DaCosta, Little Woods tells the story of two sisters, Ollie (Tessa Thompson) and Deb (Lily James), living in North Dakota trying to make ends meet and take care of the people they love. Unfortunately, things start to snowball in a bad way when they learn not only that their mother’s house is facing foreclosure, but that Deb is pregnant. While Ollie is still on probation following a past arrest, she finds herself forced back into the business of illegally running pills across the Canadian border in order to make the money that she needs, and in doing so risks everything that she has and wants in life.




Distributed by Neon, Little Woods will be playing in limited theaters starting this Friday, April 19th – and you can be sure that we’ll be hearing a lot more about Tessa Thompson productions and new Nia DaCosta movies in the years to come.

George Lucas Writes Sweet Tribute To Peter Mayhew

George Lucas Writes Sweet Tribute To Peter Mayhew
Peter Mayhew as Chewbacca

Star Wars fans were saddened to learn about the recent death of Peter Mayhew, the man who brought the Wookie Chewbacca to life for the majority of the franchise. Friends and colleagues have been sharing their thoughts on the iconic actor. George Lucas, the creator of Star Wars has penned his own tribute to the man where he talks about how Mayhew was discovered and placed in the film that would define his career.


According to George Lucas, finding somebody to play Chewbacca was actually quite complicated. While all Lucas was really looking for was somebody tall enough to play the part, finding that proved difficult. Eventually however, a hospital attendant named Peter Mayhew was found and Lucas cast him as soon as he saw how tall the man was. According to Lucas...



Peter was a wonderful, wonderful man. He kept his job in the hospital through the first three movies. But he fell in love with the character. And then as Star Wars grew in fame, and he started doing more festivals and public appearances, he realized he could actually make a living just off the personal appearances. He was very gentle, very sweet, very easy to get along with. He was more like a Wookie than I originally imagined a Wookie to be. Originally, I envisioned Chewie as some big ferocious beast, but Peter's Chewie wasn't really ferocious. No matter how hard he tried, he wasn't ferocious. He would be your best friend until he got angry, then stand back. He was a gentle giant.





The idea that Peter Mayhew kept his job working at a hospital while also being in the biggest movie franchise of all-time is just adorable and hilarious.


While Mayhew would have a handful of other acting jobs over the course of his career, he really did just make a living being Chewbacca for the most part. It's clear he truly loved playing the character.


Mayhew hasn't played Chewbacca at all in the last couple films, with the costume being handled by Joonas Suotamo in both Star Wars: The Last Jedi and Solo: A Star Wars Story. Mayhew hadn't been in the best health of late, so his passing wasn't necessarily a shock, but it was still sad news.




George Lucas' comments in THR are a wonderful tribute from the man who created Chewbacca and found the perfect person to give him life. While Lucas says he initially envisioned Chewbacca as a ferocious beast, it was Mayhew who turned him into the lovable giant he became. It's impossible to think of Chewbacca as anything else now.


Chewbacca will live on. Joonas Suotamo is set to bring the character back in Star Wars: The Rise of Skywalker. While Mayhew may never inhabit the suit again, his contribution will certainly never be forgotten.

How Robert Downey Jr. Changed And Improved Tony And Peter’s Gut-Wrenching Infinity War Scene

How Robert Downey Jr. Changed And Improved Tony And Peter’s Gut-Wrenching Infinity War Scene
Robert Downey Jr

Tom Holland has become an instant favorite in the Marvel Cinematic Universe among fans. And a major reason why is because of the young actor’s chemistry with Robert Downey Jr., playing mentor to Peter Parker in both Captain America: Civil War and Spider-Man: Homecoming. The Iron Man and Spidey kinship helps explain why audiences were so devastated by Peter’s death in Avengers: Infinity War, turning “I don’t feel so good” into a Marvel meme.


But as it turns out, there were helpful emotional suggestions made to that scene by Robert Downey Jr. himself that the Russo Brothers believe nailed the significance of the moment and cemented Peter and Tony as spiritual touchstones in the MCU.


During a recent interview with Joe and Anthony Russo on CinemaBlend’s own ReelBlend podcast, the duo looked back on Avengers: Infinity War and the daring choices they made that had to be addressed in Endgame. When we circled around to Peter Parker’s dusting scene – an iconic MCU moment, by this point – Joe Russo elaborated on how that scene came together, and how Downey helped them get to where they needed to be. He said:





We had done a take or two… where it plays quicker than all of the other ones. We thought, ‘This has to be climactic.’ He's got spider sense, so he could feel it coming before it actually gets him. And we thought, wouldn't it be interesting too if your own emotional or spiritual core could hold [the dusting] off for a second or two longer than someone else. Because this is a magical event. It's nothing that's based on anything in the physical universe.


We just started talking to Tom and Downey. Downey is always extremely helpful in blocking. And we started saying, ‘This isn't having the emotional impact it needs to have. Tom, what if, you know, you’re a kid. This is scaring the shit out of you. What if this is something that you don't want to have happen. You can't, you know, you're scared. You don't want to go. So what would happen?’ And then he started improvising. ‘I don't want to go!’ And Downey, I think, he helped with the blocking of [Holland] falling into Robert and Robert laying him down on the ground. Frankly, it took about five or 10 minutes to shift. And in the next take, we went out and they nailed it and that was it. Everybody was crying on the set.



What’s that? You want to be devastated by this sorrow? Well, OK. Here’s that scene, in case you haven’t watched it 1,000,000 times before.


During the press run up to Avengers: Infinity War, the brothers were not able to discuss specifics, so as to protect spoilers. And they are in a similar situation with Avengers: Endgame. Yes the movie is out and dominating at the box office. But they are trying to protect the big reveals from the new movie as much as possible, which is why we used some small portion of our time with them to go back over the best parts of Infinity War.




Here is the first half of our conversation with Joe and Anthony Russo, as part of the ReelBlend podcast:


Not that you need to be told this, but Avengers: Endgame is in theaters as we speak. Come back to CinemaBlend next Monday, when we will post the second half of our conversation with the Russos, which is filled with MCU and Endgame spoiler talk. It’s worth the wait.

First Joker Trailer: Joaquin Phoenix Is Here To Freak You Out

First Joker Trailer: Joaquin Phoenix Is Here To Freak You Out

DC comics contains some seriously iconic characters, beloved by generations of fans on the page and screen. As such, the DC live-action universe has a ton of hype around it, as moviegoers delight in seeing their favorites in theaters. Warner Bros.' massive franchise is on the upswing right now, with the massive success of Aquaman and anticipation for Shazam! But there's also some decidedly darker projects coming down the pipeline, chief of which being Todd Phillips' Joker movie.


Joker will provide an origin story for the Clown Prince of Crime, and will be disconnected from the greater DCEU. Todd Phillips assembled an impressive cast, and now the first peak into the project has finally arrived. Check it out below.


Does anyone else have chills? Todd Phillips has promised a comic book movie unlike anything we've seen before in the genre, and this first trailer certainly hammers that home. Now let's break down exactly what we're being shown.




The Joker trailer opens on Joaquin Phoenix's protagonist Arthur Fleck during his time at Arkham Asylum. Except, the mental health facility is called Arkham State Hospital in this version of the story. His character is a mentally ill man struggling in Gotham City, and watching as both the iconic setting and his own mental health deteriorate in front of him. And at some point, he's going to break and transform into the titular villain.


This first footage establishes the tone Todd Phillips' project will have, which is decidedly pulled back compared to other comic book adaptations. The movie was made on a modest $55 million, and it will be more dialogue driven and dramatic than full of superpowered action sequences and over the top costumes. Instead, audiences will follow as Joker gives birth to an over the top character, in a far more realistic world.


Arthur Fleck might not be robbing a bank or battling The Bat, but there's plenty of iconic Joker moments in film's first trailer. The birth of his iconic laugh can be seen, and it'll even get Arthur in trouble in the subway. He's also seen with the strange chuckle in a comedy club, presumably one that he plays as a failed comic. Joaquin Phoenix's character wears a variety of hats throughout the trailer, trying to scrape by and take care of his mother (Frances Conroy) in the process.




Robert De Niro makes a brief appearance in the Joker trailer, as Todd Phillips shows off his impressive cast. De Niro is playing a talk show host in the origin story, although it's unclear how he connects with Arthur's descent into madness. The clips show the character transforming little by little, eventually becoming the chaotic and joyful figure we know and love. And it looks like it's going to be a wild and creepy run to the finish line.


Joker will arrive in theaters on October 4th, just in time for Halloween. In the meantime, check out our 2019 release list to plan your next trip to the movies.

How Much Money Dumbo Could Make During Its Opening Weekend

How Much Money Dumbo Could Make During Its Opening Weekend
Dumbo girl in 2019 Tim Burton remake

Disney has several live action reimaginings heading into theaters in 2019. Ahead of Aladdin, The Lion King and Maleficent 2, the studio will be putting out Tim Burton’s live action take on Dumbo. Now, tracking is in for the late March release and it looks like Dumbo should do well on opening weekend, although it may not be a record breaker for the House of Mouse.


Early estimates have Dumbo making around $50 million on opening weekend. That’s domestically, of course, and numbers from theaters worldwide should beef up that number. THR also notes the new live action flick could make as much as $60 million if all goes well. This is close to the long-range forecasting, which previously had Dumbo in a range of $45-$65 million.


If the numbers hold, that would not be a gigantic opening for this type of movie. So far, the highest opening weekend for a live action Disney film went to Beauty and the Beast, which came out back in 2017 and made roughly $170 million domestically opening weekend. The Jungle Book also had a large opening total, surprising with a little over $103 million domestically when it hit theaters in 2016.





If Dumbo opens in the range it is expected to, it will land ahead of movies like Alice Through The Looking Glass ($26.8 million opening) and Pete’s Dragon ($21.5 million opening), but behind other live action remake earners like Maleficent ($69 million opening) and Cinderella ($67.9 million opening).


Most of Disney’s live action movies have had budgets in the $100 million+ range and movies like Maleficent have been closer to $180 million (although Pete’s Dragon was reportedly made for much less than $100 million). Ultimately, whether a $50 or $60 million opener will be enough to propel Dumbo to a box office win depends on a lot of factors: How much was the budget? Are people seeing the movie elsewhere in the world? Can it stay competitive for several weeks as April releases start coming out?


Of course, box office estimates aren’t an exact science, either. We’re always hopeful for surprises of the positive variety at CinemaBlend and if Dumbo ends up doing more than $60 million it could be a great start for live action remakes this year. Likewise, if the flick doesn’t strike gold, Disney has three more shots at huge moneymakers in that category alone this year.





That may not be why the studio has so many movies primed to come out in 2019, however. Previously, it looked as if Disney could beat its own domestic box office record this year and now that Maleficent 2 has been thrown in, it’s looking even more likely.


Ultimately, Disney has a lot of live action reimaginings of classics coming out in the next nine months, specifically now that the studio has swapped Maleficent 2’s date from 2020 to 2019. It will be interesting to see whether or not there’s an appetite for that many remakes in one year, or if we’ll have a Solo type of story on our hands with one or two of them.


Of course, stay tuned to Weekend Box Office to see how Dumbo and other big spring movies do.




8 Zac Efron Movies That Prove He's Bigger Than High School Musical

8 Zac Efron Movies That Prove He's Bigger Than High School Musical
Zac Efron - Extremely Wicked, Shockingly Evil, and Vile

Zac Efron has come a long way from East High School with his starring role in Extremely Wicked, Shockingly Evil, and Vile, on Netflix now. Looking back to 2006, Zac Efron was at the forefront of High School Musical, a corny-but-peppy-and-bubbly Disney Channel original movie that became a full pop culture phenomenon, the likes of which likely surprised even the folks at Disney. It was an overnight sensation — literally — once it aired on the Disney Channel that fateful evening. Since then, Zac Efron has been a household name, and has earned no shortage of adoring fans.


However, because of his success in this three-part film series, there are some folks out there who still associate Zac Efron's acting with his work as Troy Bolton in High School Musical. Despite his best efforts to branch out and expand himself as an actor, there are some musical lovers out there who only see Zac Efron for the work he did in the past without recognizing his developing talents. That's not really fair. In the past decade, Zac Efron has proven to be a versatile, charismatic performer, having varied himself well enough to be more than his work in the Disney Channel trilogy. He should be accredited as an accomplished, talented and dedicated actor.


Much like how we are not much like our high school selves once we get older, Zac Efron has grown up and matured in a strong, promising actor. He has developed an esteemed resume and shown himself to be an established actor in many different respects. So, let's take a moment to showcase a number of the roles that prove that he's bigger than his hit performances in High School Musical 1, 2, and 3.




Me And Orson Welles


In 2008, shortly after he rose to celebrity through his appearances in High School Musical 1 & 2, Zac Efron worked alongside director Richard Linklater in the period piece biopic Me and Orson Welles, which followed a starry-eyed teenager who got a once-in-a-lifetime opportunity to work with the great Orson Welles in his 1937 production of Julius Caesar. It was certainly the work of a young performer, but it gave audiences outside of the High School Musical fanbase a chance to see an actor on the rise.


Plus, it showcased that had dramatic range and potential that wasn't fully explored in those TV movie musicals. Sure enough, as the years went on, the actor would continue to prove himself in a variety of different performances.


The Lorax


While Zac Efron rose to super-status through his vocal pipes, singing tunes for High School Musical, the actor reached a new career phase when he did his first voice-only performance in The Lorax, Illumination Entertainment's 2012 feature-length adaptation of Dr. Seuss beloved children's book. As the voice of Ted Wiggins, the child protagonist, Zac Efron uses his popularity with the younger crowds to draw viewers into this new take on the old environmental tale. While the film itself didn't win over many critics, it provided Zac Efron with one of his first major box office smashes. During its 2012 release, The Lorax made over $348 million worldwide.




During its 2012 release, The Lorax made over $348 million worldwide. That's not too bad for a first big animated outing.


Neighbors


After a series of unremarkable performances in inert or underwhelming dramas, Zac Efron finally found his calling outside of High School Musical. And it was in the comedy department. In a role that allowed the rising actor to finally be free from the restraints of Disney's child-friendly image, Zac Efron appeared alongside Seth Rogen in 2014's surprise hit R-rated comedy Neighbors, allowing the actor to prove his comedic chops (while also not being afraid to take off his shirt a few times).


Though the comedies he appeared in afterwards didn't acquire the same success (See: Baywatch and Bad Grandpa), Efron's work in Neighbors proved that he was on his way up the ladder, creatively. Plus, could be really funny, to boot.




The Disaster Artist


As anyone who has seen The Room will note, the role of Chris-R is just as puzzling and bizarre as anything else in Tommy Wiseau's elusive passion project. Yet, the actor who played the role, Dan Janjigian, gave a convincingly menacing and surprisingly compelling performance, channeling more believable and palpable emotion intensity in just one scene than anyone else did throughout the entirety of the movie. It is often considered the one good performance in a film that's certainly less-than-great, and Zac Efron certainly had his work cut out for him.


In James Franco's dramedy biopic, The Disaster Artist, Efron played Janjigian/Chris-R in a similar memorable sequence, and he reportedly went method in the same way his on-screen persona did. Once again, Zac Efron proved his talents are quite versatile.


The Greatest Showman


Following 2008's High School Musical 3, Zac Efron opted not to participate in any more movie musicals. The actor was focused more on comedic and dramatic roles, challenging himself as an actor and pushing himself more as a performer. It wasn't until nine years later when he appeared in The Greatest Showman that he got a chance to sing and dance again.




Sure enough, while it was nearly a decade after his first movie musical, Zac Efron was far from rusty in the singing department. The box office numbers and chart-topping album sales also suggest that audiences will continue to come out in droves to see Efron belt out a tune or two in a theater near them. Plus, this time, Zac Efron got to sing as a very much adult character dealing with the period issues of the day.


The Beach Bum


Similar to how fellow High School Musical alum (and Efron's former fling) Vanessa Hudgens moved away from her Disney image with Harmony Korine's cult hit Spring Breakers, Zac Efron wanted to work with the auteur indie director to push himself as an actor into more adult territory. The result is a limited-but-impressive turn in The Beach Bum, Korine's recent follow-up to Spring Breakers, which finds Efron playing the role of Flicker, a hard-drinking, Creed-loving, Panini beard-wearing party-lover who mirrors Matthew McConaughey's titular Beach Bum on his path to self destruction.


Even though he is only in the movie for 10 minutes -- maybe 15 minutes max -- it is a great and unique turn for Zac Efron. And it's another performance that shows Zac Efron's talents as a supporting actor, beyond his leading man roles. Plus, just look at that facial hair.




Extremely Wicked, Shockingly Evil And Vile


In what could easily be described as his most controversial role to date, Zac Efron's performance as Ted Bundy in the historical drama Extremely Wicked, Shockingly Evil, and Vile was met with a great deal of trepidation and concern from the media due to the subject matter at hand. The story of Ted Bundy is not for the faint of heart, and it was certainly a far cry from Zac Efron's Disney days. Yet, through his involvement in this film, Zac Efron provided a meta thesis to the dramatization of this true story.


Zac Efron's charisma and good looks are eerily similar to the late serial killer, and it shows how the media painted a muddled picture of the events that caused people to question whether a person like Ted Bundy could commit such heinous crimes, despite the stark evidence that suggested — over and over — that he did. It's an intriguingly metatexual performance, and one that shows Efron's dramatic range.


As a young, on-the-rise actor, Zac Efron is continuing to prove himself with a variety of different movies and shows. The actor is steadily expanding and challenging himself in different roles and with different opportunities, and there's a good chance that we'll continue to see Zac Efron's stardom rise in the future. For now, though, we hope we showed you how Zac Efron continues to develop and excel an actor, and how he is much bigger than his work in the High School Musical movies.