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Keri Russell's Star Wars: The Rise Of Skywalker Character Finally Revealed In New Image

Keri Russell's Star Wars: The Rise Of Skywalker Character Finally Revealed In New Image
The Americans Keri Russell standing in the open, ready to cry

While we’re still pretty much in the dark when it comes to details on Star Wars: The Rise of Skywalker’s plot, there’s plenty of other information that’s slowly being put out into the universe. Today brings one of the most beautiful traditions linked to the modern era of Star Wars film’s: the Vanity Fair spread.


Among the new character reveals that took place in this latest version of that time-honored happening is our first look at Keri Russell’s new Star Wars character, Zorri Bliss. As you’ll see in the photo below, she was absolutely right to say that she had the coolest costume in the film:


This first look at Zorri and her costume has us thinking that Keri Russell is playing a bounty hunter character, or at least someone who swims in the same dark circles as Boba Fett. Then again, if anyone shows up in the Star Wars universe with weapons and a helmet obscuring their face, it’s not a hard stretch to think that this person would be looking to apprehend any person, object, or information for the right price.




With a gold helmet that looks like The Rocketeer joined Daft Punk, and a crimson/purple jumpsuit that complements further gold and bronze accents, Zorri is definitely ready for action. The inclusion of her dual pistols only makes us want to hang out with her more, knowing that at any given moment, a fight could break out and Zorri Bliss would end it just as quickly.


Not only was the first look at Zorri’s costume shared by Vanity Fair, but some details about Zorri’s character were also given. Sure enough, we’re not the only people that see a smooth criminal in the Star Wars galaxy, as their write up mentions that the fresh war raging throughout the new trilogy has continued to allow the criminal underworld to flourish. Which certainly explains the fancy threads on Zorri Bliss.


As Star Wars: The Rise of Skywalker is set up to conclude the Skywalker Saga, the two trilogies of stand-alone films that won’t deal with that particular corner of the storied universe are on the horizon, and will need new characters to play around with. Which means that between Rian Johnson’s new films, and those being undertaken by Game of Thrones’ masterminds David Benioff and D.B. Weiss, there’s a chance that Zorri Bliss could appear again down the line.




That's speculation, of course, but should Keri Russell’s new character make a big enough impression, this just might be the future we’re looking at. We’ll have to wait until Star Wars: The Rise of Skywalker arrives in our galaxy on December 20th to find out. In the meantime, you can take a look at what all we know about the upcoming flick so far.

Chris Evans' Marvel Characters Combine In Epic Image

Chris Evans' Marvel Characters Combine In Epic Image

Given how totally and completely Chris Evans has become Captain America in the Marvel Cinematic Universe over the near decade he has played him, it would be easy to forget that Steve Rogers is not the actor’s first superhero role. That was as Johnny Storm in Fox’s Fantastic Four films. With those films, 21st Century Fox and the Fantastic Four now all under the Disney banner, some new fan art has combined Chris Evans’ two superhero roles into one epic image.


As if Captain America didn’t look badass enough already, setting him ablaze certainly does the trick. Johnny Rogers or Steve Storm (yeah, definitely that one, alliteration is a hallmark of superhero naming convention) has all the steely resolve of Cap and all the fiery intensity of the Human Torch.


Cap is already pretty darn formidable in his own right, but you give him the fire manipulation and flight powers of the Human Torch and the Avengers’ odds of victory increase several fold. This image from BossLogic is especially cool because it isn’t just imagining what an actor would look like as a character, it’s combining two Chris Evans has already played.





Chris Evans has played both Captain America and the Human Torch and with the multiverses of comic book movies colliding in the Disney-Fox deal, this amalgamation seems appropriate to commemorate the occasion. Now we just need Josh Brolin as Nathan ‘Thanos’ Summers and Michael B. Jordan’s Killmonger shrouded in fire yelling ‘Flame on!’


This image is also fun because it reminds you of the very different types of superheroes Chris Evans has played. As Johnny Storm in Fantastic Four, he was the wild and cocky jokester who didn’t take anything seriously. And as Captain America, he is the beating heart of the MCU, a serious and selfless hero. It just goes to show Chris Evans’ talents.


How much longer Chris Evans will be using those talents in the MCU is an open question. Pretty much since Captain America: Civil War we’ve been speculating that Captain America will bite the dust in tragically heroic fashion, and that question will be at its loudest right before Avengers: Endgame, especially given that the trailer showed a worse for wear Steve Rogers gritting his teeth in what looks to be a brutal battle.





Of course, if Avengers: Endgame is Chris Evans’ last appearance as Captain America, that would open him up to reprise the role of Johnny Storm when the Fantastic Four come to the MCU. Hey, it could happen! As far as what the future holds for The Human Torch and the rest of the Fantastic Four in the MCU, it is too soon to say.


The Disney purchase of 21st Century Fox just went through last week and it’s presumed that the X-Men couldn’t make their way to the MCU until 2021 at the earliest, so it would stand to reason that the same would apply to the Fantastic Four.


Before all that though, The Infinity Saga comes to an end when Avengers: Endgame hits theaters on April 26. Check out our 2019 Release Schedule to keep track of all this year’s biggest movies.




Jean-Claude Van Damme Has His Own Version For Why He Left His Predator Role

Jean-Claude Van Damme Has His Own Version For Why He Left His Predator Role
Jean-Claude Van Damme in Kickboxer

'80s action icons Arnold Schwarzenegger and Jean-Claude Van Damme didn’t square off in a movie until decades after their primes in 2012’s The Expendables 2. They almost crossed paths much earlier though, because before his breakout role in Bloodsport, Jean-Claude Van Damme was cast to play the titular alien hunter in Predator. There are seemingly countless stories about why the Muscles from Brussels left that role, but he has his own version of what happened, as he explained:



I go to this place and they put me on sticks and woods and they start to melt all the cast on me, and it’s boiling hot. I like to breathe, you know? They’ve got to do my head and everything. I’ve got my friend next to me and I said, ‘Man, I ain’t going to make it.' When Joel asked me to jump, I knew it was going to be a bad one. I said, 'This is impossible, Joel. I think we're going to have a problem.' Then he replaced me.



The Predator originally didn’t look like how we know it now. When Jean-Claude Van Damme was a part of the movie, it looked way less awesome and more like a lobster. From what JCVD told The Hollywood Reporter, it sounds like getting that costume molded for him was an extremely unpleasant experience. The actor felt like he was unable to breathe as the hot cast was poured all over his body.





It sounds torturous and claustrophobic, and Jean-Claude Van Damme admits that he didn’t think he was going to make it. Then, when the actor was wearing some sort of stilts and was asked to jump in them, he couldn’t do it or didn’t feel safe to. So he was unable to showcase the athleticism that he showed out of the costume. He couldn’t do what producer Joel Silver needed him to do for the role and he was replaced.


This certainly isn’t the first time we’ve heard about an actor leaving a role or hating their time in it due to nightmarish makeup or costumes. James Purefoy left V for Vendetta because of the mask. He was replaced by Hugo Weaving, who didn’t seem to love the makeup he wore as Red Skull in Captain America: The First Avenger. And Jennifer Lawrence’s feelings about the Mystique makeup are well known. So JCVD is not alone.


We can now add Jean-Claude Van Damme’s version of why he left Predator to the many existing accounts of what happened in what has essentially become a cinematic urban legend. Director John McTiernan said that they never shot anything with Jean-Claude and the whole situation was a mess because of his agent.





The visual effects supervisor on the film Joel Hynek’s account is one of the more outlandish and hilarious. According to him, Jean-Claude Van Damme wouldn’t stop kickboxing because he saw the alien hunter as having prodigious martial arts talents. When he was asked to stop, he refused. So producer Joel Silver fired him and JCVD fired off an insult and left.


Given Jean-Claude Van Damme’s seeming willingness to laugh at himself late in his career, someone really should put together a short or an internet video with the actor about this situation. It could have a Rashomon-like structure with each of the accounts of Jean-Claude Van Damme’s exit from Predator as a different chapter, with the audience left to decide where the truth lies.


Whatever happened, it all worked out for the best. Predator eventually changed the creature design for the better and became an action classic, and Jean-Claude Van Damme broke out in Bloodsport, where he was able to do all the kickboxing he wanted.





Jean-Claude Van Damme’s latest film, We Die Young, is now in select theaters and on demand. Check out our 2019 release schedule to keep track of everything else you can look forward to seeing this year.

American Gods’ Ricky Whittle Has Had Talks About Playing Green Lantern

American Gods’ Ricky Whittle Has Had Talks About Playing Green Lantern
Ricky Whittle as Shadow Moon in American Gods

It’s no secret that Green Lantern’s theatrical debut wasn’t the hit that DC and Warner Bros were hoping for, as the hero’s 2011 movie was met with negative reception and didn’t make a profit. However, the Emerald Knight’s mythology is getting a chance at cinematic redemption with Green Lantern Corps, and in late 2017, Green Lantern writer Michael Green suggested that American Gods star Ricky Whittle would be a good actor to don the power ring next. Since then, Whittle has actually met with certain parties about playing Green Lantern, as he explained:



We know that Green Lantern Corps is coming out. I’ve had conversations, and to be in the conversation is a big honor. That's all I can really ever ask for. Lots of fans have been campaigning for me. If they can get me Green Lantern, too, we are going to have to do something special. I'm going to have to start doing tours in full costume and go and watch with all the fans. But, yeah, I would love to be a part of that world. Hopefully, they do it justice this time.



Remember that just because an actor has had conversations with people working on a movie doesn’t mean that said actor will necessarily obtain the role, but it’s definitely a step up from campaigning to play a character. Ricky Whittle is clearly interested in getting to be Green Lantern, so maybe he sends a better than most of obtaining the role. Of course, he’s currently starring as Shadow Moon on American Gods, but since that’s a premium cable show with less episodes compared to something on broadcast, that would presumably allow more freedom in his schedule to take on Green Lantern Corps (not to mention that there’s no word yet on if the Starz show will get a third season).





Announced back in 2014 as part of the initial slate of DC Extended Universe movies, Green Lantern Corps has been put on the back burner in recent years, but it is definitely still in the works. Geoff Johns, whose run on the Green Lantern comic book spanned nearly a decade and propelled the property to a new level of popularity, is writing the script. As for which Green Lantern he’d portray, Ricky Whittle also mentioned in his interview with Syfy Wire that’d he’d be up for playing John Stewart or Simon Baz, though he noted that bringing John in particular to life would “be the dream.” He continued:



It's a fantastic character, and an important character, if you read the comics in terms of human society and race and different issues that we are engulfed by in at the moment in America. You never know. If Geoff Johns is reading this, I am definitely up for it. I'm a huge fan. What I like is they are taking their time with it. They are not rushing it like with the first one. They are taking their time and doing it right, which is how it should be. It's in good hands with Geoff. Fingers crossed. Whatever he does, I'll be watching it, no matter what.



All we know for sure about Green Lantern Corps so far is that it will involve Hal Jordan and John Stewart teaming up, although back when the script was being written by David Goyer and Justin Rhodes, the project was described as “Lethal Weapon in space.” It’s unclear if that description still applies, but at the very least, Green Lantern Corps could be used to dive deep into the DCEU’s cosmic corners.





Green Lantern Corps was originally set for a 2020 release, but it’s currently undated, with Birds of Prey and Wonder Woman 1984 holding down the DC fort next year. Keep checking back with CinemaBlend for any major updates concerning Green Lantern Corps’ development.

Having An Actress Playing La Llorona On Set Made A World Of Difference To The Cast

Having An Actress Playing La Llorona On Set Made A World Of Difference To The Cast
The Curse of La Llorona movie poster

With the advancement of CG technology in recent years, actors playing off tennis balls and green screens has become common place on movie sets. As one can imagine, acting terrified at the sight of ominous neon green figures asks a lot of one’s imagination. Thankfully for the cast of The Curse of La Llorona had Mexican folklore’s “Weeping Woman” to star into the eyes of during the making of the horror film.


CinemaBlend’s own Sean O’Connell sat down with some of the cast during SXSW, where The Curse of La Llorona had its world premiere during the film festival’s closing weekend. During the interview, the film’s star Linda Cardellini gushed about the physical presence of the evil spirit on set with these words:



I was so grateful because there is so much we have to do with her and [Marisol Ramirez] is such a wonderful person, she’s hilarious, she’s fun to be around and a really good sport because that’s a lot of makeup and time in makeup and the makeup artist did such an incredible job too. But it was so much fun not to have to act against something that was later going to be in green screened, which I’ve done before but it’s difficult because you have nothing to work with and she was always there for you, always on her game. I thought it was a real gift that we had a practical 'spirit' to work against.





The titular La Llorona (played by Marisol Ramirez) is an apparition caught between Heaven and Hell, who drowned her own children in rage and now preys to replace them with the kids of Cardellini’s character. The actress shared the difference it made for her to have Ramirez playing the evil presence, especially with the terrifying makeup La Llorona dons in the film.


In the interview, Cardellini also commented on the actress' accessibility off camera, due to her charming personality on set. This especially came in handy when it came time for the kids on set to play opposite La Llorona. Although her appearance was one of an evil spirit, because she was so great with the kids on set, they were able to do their job without actually getting scared out of their wits of the actress.


The Curse of La Llorona director Michael Chaves pitched in, explaining how no amount of CG can replicate the kind of performance Marisol Ramirez gave as the apparition. Here’s what he said:





She was such a partner in this – her performance is just so harrowing, crazy and wild. She got the role because well she’s a gorgeous woman, it’s not because she looks like a monster, it’s because she is such a great actress. She has this real ferocity to her and I think that’s what we were looking for. It was a scary performance… and she was incredible. I think when you have a partner like that and everyone can react to it, it just raises the game. I feel bad for the movies that have to do it in CG because I think there is really something missing in the experience.



While it looks like having the actress on set was an overall positive experience for cast and crew of The Curse of La Llorona, actress Patricia Velasquez admitted having a co-worker with her creepy makeup makes for some off putting breaks. In her words:



It was hard to look at her when it was lunch or dinner time because her makeup was so good.





Can’t blame her, La Llorona looks terrifying! Check out the cast interview below:


The new horror release belongs between the two Conjuring movies in the universe’s timeline though it’s the first spin-off to not be based on the findings of demonologist couple Ed and Lorraine Warren. Will you be braving The Curse of La Llorona this weekend? Let us know in the comments.

John Boyega Reveals Why He Was Pumped About Finn’s New Costume In Star Wars: The Rise Of Skywalker

John Boyega Reveals Why He Was Pumped About Finn’s New Costume In Star Wars: The Rise Of Skywalker
John Boyega as Finn in Star Wars: The Rise of Skywalker

Anybody who is a Star Wars fan is excited for The Rise of Skywalker. The first images we saw of the film in the first trailer during Star Wars Celebration have got fans talking and looking forward to when the movie finally releases in December. However, the viewers aren't the only ones excited by a new film. It turns out that John Boyega was also quite enthusiastic about going back to the galaxy far, far away, especially after seeing his new costume.


During the Star Wars Episode IX panel at Star Wars Celebration, Boyega revealed that due to Finn's character arc, his clothes in the two previous films didn't really help define him as a character, but he feels like that has changed with The Rise of Skywalker. According to Boyega...



I think the last two movies Finn couldn’t decide where he belonged. And in this film he’s a full-fledged Resistance sexy young man. At the beginning my big thing was costume. I always felt that Finn didn’t have his identity through his costume. And J.J. was like ‘You’re going to love this one.’ I saw the pre-packets coming out… and I was like, ‘I’m in Star Wars now!’ So, it’s been great.'





Finn's entire story has been about a man figuring out where he belonged. He starts the story as a Stormtrooper but quickly realizes that life is not for him. Throughout most of Star Wars: The Force Awakens he's mostly concerned with just getting the hell away from the First Order as quickly as possible. In The Last Jedi his goal is reuniting with his friend Rey.


Finn literally had no identity at the start of the trilogy, and part of his journey has been figuring out who he is an independent person. Most of us use our clothing as a way to show a piece of who we are to the world. Finn hasn't been able to really do that because he hasn't known that answer. It makes sense that John Boyega's costumes haven't shown Finn's identity, but clearly the actor is happy that Finn will finally find himself in the new film.


While we get a few different quick shots of Finn in the Star Wars: The Rise of Skywalker trailer, the best look at Finn's costume comes near the end as part of the group shot. Check it out below.




Everybody has new outfits in Star Wars: The Rise of Skywalker, and it will certainly be interesting to see how these costumes reflect the people inside them. How has the galaxy changed following the events of Star Wars: The Last Jedi? We'll find out for sure when the movie finally arrives December 20.

Adam Driver And Daisy Ridley Address Kylo And Rey's Relationship In The Rise Of Skywalker

Adam Driver And Daisy Ridley Address Kylo And Rey's Relationship In The Rise Of Skywalker
Kylo and Rey trying to sway each other in Snoke's throne room

Initially enemies in Star Wars: The Force Awakens, Rey and Kylo Ren’s relationship morphed into something different in The Last Jedi. With a little help from Supreme Leader Snoke, the two loners, struggling to find their place and purpose, developed this deeply personal connection and despite being on opposite sides of a war. And they found something they lacked in each other.


With December’s Star Wars: The Rise of Skywalker set to complete the Skywalker Saga, this trilogy and the stories of these characters, one of the big questions heading in will be the relationship between Rey and Kylo, and how that relationship/ Force connection will impact their stories in the film. Addressing the relationship with Rey in The Rise of Skywalker, Adam Driver said:



And then he had been forging this maybe-bond with Rey, and it kind of ends with the question in the air: is he going to pursue that relationship, or when the door of her ship goes up, does that also close that camaraderie that they were maybe forming?





As Adam Driver told Vanity Fair, whether or not Kylo Ren continues to pursue some kind of relationship with Rey is one of the biggest questions for his character in The Rise of Skywalker. After the fight with the Praetorian Guard in Snoke’s throne room, Rey thought Kylo had turned and sought his help to save the rebellion. Kylo had different plans though and held out his hand, beckoning Rey to join him and rule alongside him.


Rey rejects him and ultimately leaves with the Resistance at the end of the film. That impasse between them could be seen as a breaking point. It seems their differences couldn't be solved, leading to a parting of the ways. The same would seem to hold true here, literally closing the door on their relationship.


But if Kylo values that relationship and still believes he can turn Rey to him, then he could choose to pursue that bond. Whether he would find Rey receptive to such a thing and she still sees the light in Kylo is another matter entirely. Ben Solo’s entire life as Kylo Ren has been a rejection of all the things that Rey values, as Daisy Ridley explained:





I think there’s a part of Rey that’s like, dude, you fucking had it all, you had it all. That was always a big question during filming: you had it all and you let it go.



Rey has been waiting for and seeking family since we first met her, and cannot understand how Ben could eschew the one thing she’s always wanted. Meanwhile, Ben Solo had a family and a good one. They weren’t some abstract concept Kylo told her horrible stories about either, Rey knows Leia and in the brief time they shared together Han Solo became something of a father figure to her. She also came to know and love Luke. Ben had all these great people in his life that loved and cared about him and he threw it away.


Not only did Ben eschew Han and Luke and Leia, he killed one, tried to kill another (and kind of succeeded) and is at cross-purpose with his mother. Any relationship with someone who has such fundamentally different values than her will be extremely fraught and difficult for Rey.




But families always look different to those who are in them than they do from the outside. From Kylo’s perspective, he didn’t have it all, rather, the pressure of his family and their expectations for him are what have caused him such internal strife, as Adam Driver continued:



How do you form friendships out of that? How do you understand the weight of that? And if there’s no one around you guiding you, or articulating things the right way … it can easily go awry.



We don’t have a ton of insight into Ben Solo’s childhood or his turn to the Dark Side in film canon. But from Adam Driver’s perspective, growing up as the son of the heroes of the galaxy was no picnic. He was always worried about not measuring up to a family legacy laden with tragedy and triumph. Either from a lack of guidance or an approach that didn’t speak to him, this pressure led Ben astray.




According to Vanity Fair, the inside word is that Rey and Kylo’s Force connection will run even deeper than what we’ve seen so far, meaning that it was definitively not severed with Snoke’s death. What that means for their relationship in the film and their respective arcs, will they team up to fight Palpatine, will Kylo be redeemed, etc., gives us plenty to speculate over.


Star Wars: The Rise of Skywalker blasts into theaters on December 20. Check out our 2019 Release Schedule to keep track of all this year’s biggest movies.

Bill And Ted 3's Official Release Date Has Been Announced

Bill And Ted 3's Official Release Date Has Been Announced

Somewhere out there is a scientist, crunching the numbers on how the right mathematical conditions must be present for a movie sequel to actually happen after a decade or more of time has passed. And that brainiac is about have another case study on his or her hands, as Bill and Ted 3 has not only been confirmed, it has also been given a release date. But don't take our word for it, as the August 21, 2020 slot was announced by two rather familiar faces in a video posted today:


Straight from the mouths of Keanu Reeves and Alex Winter, the long dreamt of third entry in their cult classic series will be a summer release next year. And even better, the film's name is confirmed as well: Bill and Ted Face The Music! Taking place in the modern day, with middle-aged Bill and Ted still playing best buds who are waiting for their big break, this third adventure has the fate of the world in the balance yet again.


This time, the only thing between the future of the universe and total destruction is a song. A song that Bill and Ted will need to provide. Directed by Galaxy Quest's Dean Parisot, and written by Bill and Ted's Excellent Adventure creators Chris Matheson and Ed Solomon, Bill and Ted Face The Music is currently shooting in New Orleans. Something that wouldn't have happened, if it weren't for the fans who wanted the Wyld Stallions to reunite for one more musical journey.





Much like plenty of delayed sequels before it, Bill and Ted Face The Music has been talked about a lot over the past couple of years, but movement was always slow. Every time you turned around, it felt as if there was a new reason or a new cause behind why the third film wasn't happening just yet. All the while, those involved kept proclaiming they did want to be a part of a third movie, the stars just needed to align for it to happen. We even got to a point last year where Keanu Reeves himself didn't think this third film would happen.


It's almost been 30 years since Bill and Ted's Bogus Journey first quenched the thirst for a sequel adventure pertaining to the well-being of William S. Preston, Esq and Theodore Logan. Now, the powers that be will finally give everyone a third riff of excitement that's been decades in the making. Whether or not that trip to the U.K. that was previously rumored to be a part of this adventure, or even if  how they got back from Mars will be explained has yet to be seen. There's actually a movie where either of those possibilities can take place, because up until now it felt like Bill and Ted 3 was still a pipe dream.


Bill and Ted Face The Music rocks out most excellently on August 21, 2020. It's a heinous wait, to say the least, but the 2019 release schedule looks rosy enough that you could find some sweet action at the movies much sooner than you thought.




15 Avengers: Endgame Lines That Are References To Past MCU Moments

15 Avengers: Endgame Lines That Are References To Past MCU Moments
A suit of armor around the world We'll lose Avengers Age Of Ultron

SPOILER WARNING: The following article contains major details about Avengers: Endgame – beginning, middle, and end. If you have not yet seen the film, feel free to bookmark this page and come back after your screening!


There is no question that the greatest miracle Avengers: Endgame pulls off is the way in which it references the entire span of the Marvel Cinematic Universe to date. There isn’t one movie in the canon that doesn’t get at least one reference in the blockbuster, and while some are certainly more significant than others, it would be a challenge for any fan not to appreciate the level of detail.


This is an element of the movie that is particularly significant in the dialogue, as there are many lines throughout Avengers: Endgame that are direct callbacks to previous Marvel Studios titles. There are so many that you might not have caught them all, but in that particular arena we have you covered. We have noted all 15 lines that directly reference an earlier MCU script, and collected them all here. So without further ado…




"A suit of armor around the world."/"We'll lose." – Avengers: Age Of Ultron


Following the dramatic events of Captain America: Civil War, Avengers: Endgame is the first Marvel movie to reunite Tony Stark (Robert Downey Jr.) and Steve Rogers (Chris Evans) – but rather than referencing that particular trilogy capper, their conversation brings back notable lines from Avengers: Age Of Ultron. Specifically, there are references to two scenes: the first when Tony Stark is explaining to Bruce Banner (Mark Ruffalo) his desire to build a “suit of armor around the world,” and then a later exchange between Tony and Steve. The former notes about the looming extraterrestrial threat, “We’ll lose,” and the latter retorts, “Then we’ll do that together too.” Sadly, Steve was wrong, and the reason they lost to Thanos (Josh Brolin) in Avengers: Infinity War was because of their conflict.


"I went for the head." – Avengers: Infinity War


Part of the reason why the ending of Avengers: Infinity War is so crushing is because of just how close the titular team came to beating Thanos. Thor (Chris Hemsworth) successfully buried Stormbreaker in the Mad Titan’s chest shortly after the villain collected the final Infinity Stone, but it wasn’t enough. Thanos explained to the Asgardian that he should have gone for the quick kill via decapitation – “You should have gone for the head” – and not doing so allowed him to snap away half of life in existence. This is a mistake that Thor rectifies quickly in Avengers: Endgame, right after learning that all of the Infinity Stones have been destroyed.


"I do, Captain America." – Captain America: Civil War


One of the greatest bits about Scott Lang a.k.a. Ant-Man (Paul Rudd) in the Marvel Cinematic Universe is the utter awe he projects whenever he’s around more established superheroes. This is especially true when he’s around Captain America, and perfectly exemplified when he returns the World War II hero’s shield at the start of the airport battle in Civil War – where he notably delivers the line, “I believe this is yours, Captain America.” It’s one of the movie’s most memorable moments, and wonderfully echoed when Scott is pitching his time travel idea in Avengers: Endgame and feels compelled to address the star spangled man by his full name.




"This is a long way from Budapest." – The Avengers


As Hawkeye (Jeremy Renner) and Black Widow (Scarlet Johansson) hop on a spaceship and plan to depart the planet Morag for Vormir, the former turns to the latter and notes that the experience is “a long way from Budapest.” This is a direct reference back to one of the more grounding moments in The Avengers, specifically when the same two characters are fighting Chitauri warriors during the Battle of New York. In the scene, Widow remarks, “It’s like Budapest all over again,” to which Hawkeye replies, “You and I remember Budapest very differently.” Unfortunately, we still have no idea exactly what happened to the heroes in the capital of Hungary – but perhaps that’s something that will be covered in the upcoming Black Widow solo film.


"If it's all the same to you, I'll take that drink now." – The Avengers


This bit is different than all the others in this list, in that it’s the only line of dialogue from a previous movie that we hear in the exact same context, albeit at a new angle. Loki (Tom Hiddleston) says this line at the very end of The Avengers when he is cornered by the heroes in Stark Tower, and while it was originally delivered in the medium shot you see above, Avengers: Endgame gives us a new look at it. While the aforementioned scene is playing out, Future Tony Stark and Future Ant-Man are sneaking behind them, and we wind up catching more of the exchange than was previously shown in the Joss Whedon film.


"Hail Hydra." – Captain America: The Winter Soldier


This is a fun one, in that it’s not only a great callback to one of the meme-able lines in Captain America: The Winter Soldier, but also a nod to a recent controversy in the pages of Marvel Comics. When trying to acquire Loki’s staff from the “S.H.I.E.L.D.” agents who are taking it, Captain America whispers “Hail Hydra” to the group while in an elevator in Avengers: Endgame, and it makes an impact so significant that he gets the staff without having to throw a single punch. This will most definitely remind audiences of the moment featuring Senator Stern (Garry Shandling) and Agent Sitwell (Maximiliano Hernández), but it’s very likely included as a reference to 2017 Marvel Comics event Secret Empire, which featured a Captain America as a Hydra sleeper agent due to his past being manipulated by Red Skull.




"I can do this all day." – Captain America: The First Avenger/Civil War


Get ready for a callback to a callback! One of the most impactful moments in Captain America: Civil War is when the titular character and Iron Man are fighting at the end, and despite being beaten and bloody the soldier gets to his feet and remarks that he “can do this all day” – a reference back to the same exact line that the de-powered Steve Rogers delivered to a bully in the first act of Captain America: The First Avenger. This bit is brought back again in Avengers: Endgame, albeit with a funny twist. After getting Loki’s staff, Future Cap winds up in a fist fight with 2012 Cap (who thinks he is the God of Mischief in disguise), and the latter brings back the line as a kind of psych out move. It doesn’t really work, though, as the more experienced of the two retorts with a semi-exhausted, “I know.”


"I'm the strongest Avenger." – Thor: Ragnarok


In Avengers: Endgame, a fight over which of the heroes should wear the newly-made Infinity Gauntlet and repair the damage done by Thanos leads Thor to make the argument that he is the strongest Avenger and therefore should be the one to do the job. This is ultimately a thought that is shut down due to the fact that he isn’t really in a solid place emotionally – but it’s also a sly callback to Thor: Ragnarok. You may remember that the God of Thunder guessed that his access code to activate the Quinjet was “strongest Avenger,” but it didn’t work because his real access code was “Point Break” (itself a reference to The Avengers). What makes this bit even funnier is the fact that Hulk was able to access to the Quinjet in Ragnarok with the code “strongest Avenger,” and also winds up wearing the Gauntlet in Endgame.


"On your left." – Captain America: The Winter Soldier


It’s not surprising in the slightest that Steve Rogers and Sam Wilson (Anthony Mackie) become fast friends in Captain America: The Winter Soldier, as their rapport and chemistry is established mere seconds into the movie. Both are fans of morning jogs around Washington D.C., and Cap makes a habit of poking fun at the fellow veteran by regularly speeding past him – calling out “On your left” while doing so. This big comes back at the end of the film when Steve wakes in a hospital bed to find his pal by his bedside, but the callback is even more significant in Avengers: Endgame. After all, these are the words that Sam uses to let the team leader know that he and the rest of the resurrected heroes are ready to unite and do battle with Thanos… with a few other friends in tow as well.




"Avengers: Assemble" – Avengers: Age Of Ultron


Avengers: Endgame is the fourth Avengers movie, but it’s the first to include arguably the most iconic and oft-repeated line from the Marvel Comics that inspired it. “Avengers Assemble” is the call to action regularly used by heroes to get the superhero team prepared for battle, and it’s perfectly delivered by Captain America right at the start of the massive third act battle in the 2019 blockbuster. Of course, we previously came extremely close to hearing it in Avengers: Age Of Ultron, as half of the line was delivered by Cap at the very end of the film right before it cut to the credits. Back in 2015 it was considered a bit of a controversial move by Joss Whedon, but in retrospect we’re happy he left the door to instead be opened by Joe and Anthony Russo and writers Christopher Markus and Stephen McFeely in Endgame.


"We’re on it, Cap." – Ant-Man And The Wasp


Hope van Dyne (Evangeline Lilly) gives Scott Lang quite a lot of crap in Ant-Man And The Wasp for stealing her family’s tech to go fight in the superhero civil war, and this includes some razzing about his familiarity with Captain America – whom he refers to as “Cap” at one point. In the moment this is mocked by Hope a.k.a. The Wasp, but it comes back in a great way in Avengers: Endgame. During the big final battle, the Avengers leader assigns the two shrinking heroes to get the Quantum Tunnel in the X-Con van working again, and Wasp replies over the radio, “We’re on it, Cap.” It’s quick, but you may notice that Scott gives her a bit of a look – and it’s perfect.


"Activate 'Instant Kill.'" – Spider-Man: Homecoming


Like many heroes in the Marvel Universe, Spider-Man (Tom Holland) typically does everything he can not to kill his enemies… but the same can’t be said of Iron Man. It’s for that reason that it wasn’t hugely surprising to learn in Spider-Man: Homecoming that Tony Stark installed a special function in the Spidey suit called “Instant Kill” mode. This was presumed to be just a one-off joke that fans would never hear about again, but Avengers: Endgame brought it back in the best way. Peter Parker might not try to murder other human beings, but mindless aliens is another subject entirely, so it made every kind of sense to bring back “Instant Kill” mode during the blockbuster’s final battle.




"And I am Iron Man." – Iron Man


In the final moments of Avengers: Endgame’s big battle, Thanos proves to have an ego big enough to quote himself in dramatic fashion – borrowing a line from his alternate timeline self and letting Tony Stark know that he is “inevitable.” After it’s revealed that Tony stole the Infinity Stones from him, however, the genius/billionaire/playboy/philanthropist does the Mad Titan one better by also quoting himself… notably with the line that originally cemented the birth of the Marvel Cinematic Universe back in 2008. “I am Iron Man” was a perfect final declaration at the end of the first Iron Man, and its return in 2019 is absolutely epic, and ultimately a beautiful way to say goodbye to a version of a character who completely changed modern pop culture.


"Your dad loved cheeseburgers." - Iron Man


“I love you 3000” will likely go down in history as the most heartbreaking line in Avengers: Endgame, but not to be sold short is the quick exchange between Happy Hogan (Jon Favreau) and Morgan Stark (Lexi Rabe) at Tony Stark’s funeral. Iron Man’s former driver/bodyguard/forehead of security asks the young girl how she is doing, and she not only remarks that she is hungry, but that she wants a cheeseburger – to which Happy replies, “Your dad loved cheeseburgers.” This doesn’t seem like anything special at first – after all, who doesn’t like cheeseburgers? – but it gains significance when you remember Tony Stark’s first request after his rescue in the desert in Iron Man. That’s right: an American cheeseburger.


"Don’t do anything stupid." – Captain America: The First Avenger


One third of the quotes on this list come from the Captain America trilogy, and that’s not super surprising when you consider that it was the collection of Marvel titles that Christopher Markus and Stephen McFeely wrote before tackling the last two Avengers movies. Endgame is particularly tapped into those films, and perhaps the best example is the exchange between Cap and Bucky Barnes a.k.a. Winter Soldier (Sebastian Stan) right before the former’s final time travel adventure. The lines are switched, but “Don’t do anything stupid” followed by the reply, “How can I? You’re taking all the stupid with you” is exactly what the two men said to each other back in 1942 before Bucky was deployed in World War II to fight with the 107th Infantry Regiment. It’s a beautiful moment reflecting back on Captain America: The First Avenger, and even more excellent when considered in context with what happens next.




Do you have a favorite callback moment in Avengers: Endgame? Hit the comments section below with your pick, and stay tuned here on CinemaBlend for a ton more Marvel feature coverage in the coming days.

Hellboy Reviews Are In, Here’s What Critics Are Saying

Hellboy Reviews Are In, Here’s What Critics Are Saying
David Harbour as Hellboy

In 2004, Hellboy finally made his big screen debut, with Ron Perlman inhabiting the eponymous role and Guillermo del Toro writing and directing the movie. Both that and its 2008 sequel, Hellboy II: The Golden Army, received mostly positive reviews, but they weren’t huge commercial hits, and despite fans hoping for years that Hellboy III would eventually get made, it never did.


Instead, Lionsgate decided to give Hellboy the reboot treatment, but if you were hoping that this latest theatrical adventure starring Big Red comes anywhere close to being as good as its predecessors, if not better, it sounds like you’ll be disappointed. Hellboy reviews are pouring in online, and not only do many of them paint the reboot as the Dark Horse Comics character’s worse theatrical outing yet, but also as a subpar comic book movie in general.


CinemaBlend’s own Eric Eisenberg was disappointed with how Hellboy turned out, giving it 2 out of 5 stars in his review. He noted that while there are parts of the movie are handled reasonably, like certain story elements and and the look of this Hellboy, overall it’s a “messy piece of work that doesn’t seem quite sure what it wants to be or who it’s for” which especially suffers from bad one-liners and “clever” bits.





Hellboy is definitely a disappointment. As has been proven in the past, this is a character with a lot of big screen potential storywise, but the earlier movies suffered because they couldn’t find an audience, and this one suffers because it feels like it tried to throw everything at the wall in hopes of circumventing that same issue. It’s not a disaster, but with talent like Neil Marshall and David Harbour involved one expected better.



Over at Slashfilm, Josh Spiegel went many steps further in the negative direction and called Hellboy one of the worst comic book movies ever made, awarding it only a 1/10 score. Among the many adjectives Spiegel used to describe Hellboy include unpleasant, dreadful, obnoxious, unnecessary and interminable. In his opinion, both Hellboy’s humor and action fail to hit properly, and David Harbour fails to shine as the heroic demon.



Rebooting the character more than a decade after Guillermo del Toro’s series came to an end is fine. Del Toro’s Hellboy films are charming and feature tactile-seeming creatures, but they weren’t perfect. That’s still a vast improvement over this new film, which feels like a mistake from the start and gets worse from there.





Nerdist’s Kyle Anderson was kinder towards Hellboy, giving it a 3 out of 5 score. He acknowledged that since he was already a fan of the Hellboy comics, he was satisfied with much of what he saw, but people unfamiliar with this mythos might not feel the same way. That said, the movie’s faithfulness to the source material ends up being a burden with regard to looking like a unique/special product.



If you have longed for the Hellboy of the page to hit the screen, this movie will scratch some itches. You want a fun, bloody monster movie? You'll probably have a decent time. If you're expecting a big superhero blockbuster that hits every Joseph Campbell beat, this might not be the devil you need.



Leigh Monson from Birth.Movies.Death. was among those “disappointed” by Hellboy, taking issue with its convoluted plot, unlikable characters, “haphazard” editing and more. The entire product is filled with “strange, dumb-as-rocks” creative choices that ultimately form with the “inherent weirdness” of the source material to create a kind of “bizarro charm.”





Hellboy is some very ill-advised cinema, and those who enjoy the prospect of cinematic trainwrecks are likely to get some joy out of this. Everyone else... well, you all know where to find the better version.



io9’s Charles Pulliam-Moore felt that Hellboy was a “textbook example” of the kind of movie where, when watching it, you can pick up on “echoes” of what it was intended to be earlier in the production process. In its final form, though, Hellboy plays as more of a ‘greatest hits’ from the Hellboy comics that uses its R-rating not for proper scares, but “excessive amounts of gratuitous bloodshed.”



Like two great tastes that somehow don’t go well together, Hellboy’s greatest sin is that it makes you long for the film that it might have been because there’s so much about the movie that works in a vacuum. David Harbour absolutely nails the charming, lunk-ish aspects of Hellboy’s personality, and a handful of the film’s action sequences are legitimately fun to watch before you get back to the slog of the rest of the film. Sadly, those few bright spots aren’t likely to convince anyone that this reboot deserves to be a jumping off point for a new series or doing the Hellboy franchise any favors.





Finally, John DeFore from The Hollywood Reporter acknowledged that while the broad strokes of Andrew Cosby’s Hellboy script fit pretty well with the universe Mike Mignola created, there are too many action sequences, its characters are uninteresting and the design of Hellboy himself is questionable.



… Neil Marshall's Hellboy isn't lousy because nobody wants it, nor only because it fails to live up to both its big-screen and printed predecessors. It's just lousy. Bloated, vastly less funny than it aims to be and misguided in key design choices even when it scores with less important decisions, the film does make bold choices that might have paid off under other circumstances. But these aren't those circumstances.



These are just some of the Hellboy reviews making the rounds, so feel free to browse around other corners of the internet to see what other people have to say. Still, it doesn’t look like this movie will go down as a critical darling, and if its performance at the box office reflects this mediocre response, one probably shouldn’t get their hopes up of the reboot launching a new film series. In any case, if you’re not interested in checking out Hellboy, you can still get your comic book movie fix this month by checking out Shazam! and/or waiting for Avengers: Endgame.




You can judge Hellboy for yourself starting this Friday, April 12. Those of you interested in learning what other movies are coming out later this year can look through our 2019 release schedule.

Bond 25 Is Already Breaking New Ground For The Franchise

Bond 25 Is Already Breaking New Ground For The Franchise

The James Bond franchise is one of the longest running in history, but there are things even it has never done before. However, the new film, the 25th in the series, is breaking new ground by becoming the fist in the series to shoot scenes on IMAX cameras. Director Cary Fukunaga confirmed the use of the cameras designed for the large format screen via Instagram.


The comment from the director that "some days" are IMAX days confirms previous reports that only some of the new James Bond film will be shot on IMAX cameras, but that's par for the course for your average blockbuster these days. While IMAX cameras are getting used more and more, it's largely only for specific sequences that can take full advantage of the format.


If you're a fan of the IMAX format, or James Bond, and especially if you're a fan of both, this will likely be great news. Large format screens like IMAX take the normal theatrical experience and amplify it to an entirely new level. While many modern blockbuster movies can be, and are, formatted to an IMAX screen, using a camera designed for that screen makes the experience noticeably better.




While the IMAX cameras might be new for James Bond, they're not new for cinematographer Linus Sandgren. The man in charge of filming Bond 25 was also the man behind the camera of First Man, which used IMAX cameras to film the iconic moon walking scenes, which we can all agree were the best parts of that movie.


Of course, while we can now be sure that the action sequences will look amazing in the new James Bond movie, we still have no idea what any of them could be. The main cast of the new film, which will include Rami Malek as the villain, was recently confirmed, but that's nearly all we know.


The basic plot of Bond 25 will see James coming out of retirement to assist his old friend CIA agent Felix Lighter in a search for a missing scientist.




James Bond has been the home to some of the most memorable action sequences in the history of film. In the Daniel Craig era alone we have had fantastic foot chases, hand-to-hand fights, gun battles, and car chases. Each new film in the series has to try to take things to the next level and while it's not always easy, it's almost always worth watching.


I don't often go to IMAX movies but part of the reason for that is that it doesn't always seem all that necessary. However, when a movie uses IMAX cameras to shoot it usually means there's a vision for a particular sequence that requires them. If there's a reason to film in IMAX, then there's probably also a reason to view the finished product in IMAX.


Are you more likely to see Bond 25 in IMAX knowing it was filmed that way? Let us know in the poll below.



Looks Like Dumbo May Struggle To Make A Profit For Disney

Looks Like Dumbo May Struggle To Make A Profit For Disney
Dumbo

Disney's live-action remakes have been a solid source of box office dollars for the studio. It's the reason we've been seeing so many of them in recent years. However, it's possible that we might be seeing the first crack in that armor, as Dumbo has certainly not been performing as expected, which could result in the film not making a profit for Disney, and certainly not making the sort of profit the studio is used to seeing.


Dumbo brought in less than $20 million over this past weekend, its second weekend in wide release. That's over a 60% drop from its opening weekend numbers. While it's fairly normal to see major blockbusters drop 60% or more from opening weekend, it's less usual for Disney family films. Beauty and the Beast and Cinderella both dropped less than 50% in their second weekend, Maleficent fell on slightly more than 50%.


Dumbo's domestic total is now at $76 million. With Laika's Missing Link, another movie with family appeal, as well as other tent pole releases on the way, it seems Dumbo may struggle to break the $100 million mark domestically. Previously, that goal seemed to be much more likely.




Globally, Dumbo is doing a little better, but still below expectations. The movie currently sits at $213 million which isn't the worst number in the world for a film with an estimated production budget of $170 million. That number doesn't include marketing costs, so the total budget for the film is probably somewhere around $200 million or more.


Even if Dumbo is able to pull out a bit of profit over the next few weeks, it looks like Dumbo will likely end its run on the bleeding edge of breaking even. It might lose a bit of money, though probably not much. It might end up making money, though probably not much.


Financially struggling is not the standard state for a Disney remake. While they don't always make $1 billion the way Beauty and Beast did, Disney's remakes tend to have no problem making money. They do this despite the fact that they don't all get glowing reviews, so the fact that Dumbo didn't blow over the critics likely isn't the reason it's not doing well.




Perhaps Dumbo went a little too deep into the Disney back catalog. It's the oldest of the animated features that Disney has remade and maybe the original story just didn't resonate with fans the way some of the more recent Disney classics have done.


If that's the case, it means things likely look brighter for the other two Disney remakes set for this year. Aladdin and The Lion King are both films from the 1990s and perhaps that means they're more likely to do Beauty and the Beast numbers.


Ironically, the original animated Dumbo was one of the studio's few success stories in an era of financial difficulties. The original movie was released during World War II when most overseas theatrical markets were closed to the studio. Pinocchio and Fantasia were both flops, but Dumbo somehow beat the odds and became a hit. Now, it looks like Dumbo might end up one of the low points on what will otherwise certainly be a huge box office year for Disney.



Watch Brie Larson Surprise Fans At A Captain Marvel Screening

Watch Brie Larson Surprise Fans At A Captain Marvel Screening

Captain Marvel had a big opening in theaters this weekend, and lead actress Brie Larson did her part to garner some additional excitement around the film. Over the weekend, she headed to an AMC theater in Clifton, NJ, where she sold snacks and surprised audiences. You can take a look at the actress wandering into a theater below.


Forget surprising fans at a screening for a movie you just starred in. The real joy, here, is how much Brie Larson seemed to be enjoying sucking down that beverage with her face on it. Seriously though, the actress threw on a fun store bought version of Captain Marvel’s jumpsuit. (I would guess it was a mite more comfortable than the real thing.)


She said of carrying the giant drink around that she had “just heard” she was on the cup and needed to see it herself. What a weird experience that would probably be, finding your likeness on a cup for the first time. In the Facebook video, you can also see the myriad flashes of people taking shots of the actress in the theaters. There are plenty of hoots and hollers as well, which the actress takes in stride.





I’ve been to public screenings before where celebrities show up and the experience is quite unlike anything else. These sorts of things generally happen on opening weekend when people really, really want to see the movie anyway. Throw in a celebrity and the energy becomes palpable.


In addition to showing up in the theater, Brie Larson even handed out popcorn and other snacks to other moviegoers at the AMC theater, which was some free labor AMC likely didn’t expect.


That’s not all of the snack shots Brie Larson posed for either. The actress was also seen posing for photos with fans and even filling up buckets of popcorn.





Captain Marvel opened to $153 million domestically at the weekend box office, so it really didn’t need any pr from Brie Larson to be successful. However, the gesture seems to have really been appreciated by the Clifton crowd and the actress herself seemed to be having a blast. You can catch Carol Danvers having a blast, as well, in theaters now.

Why Horror Movies Like The Curse Of La Llorona Can Be Exhausting To Film

Why Horror Movies Like The Curse Of La Llorona Can Be Exhausting To Film
Linda Cardellini in The Curse Of La Llorona

Horror films may not have insane stunts like people jumping across rooftops or the intense fight choreography you might find in many blockbuster action movies, but that doesn’t mean that they’re a breeze to make. On the contrary, horror films like this weekend’s Conjuring Universe title The Curse of La Llorona can be downright exhausting to film. In an exclusive interview with CinemaBlend’s own Sean O’Connell at SXSW, The Curse of La Llorona’s star Linda Cardellini explained why making it was so tiring:



Absolutely. And you’re shooting at night quite a bit too, so your hours are shifted as well. So it’s like full mental workout and full physical workout everyday. Which I didn’t know, I’d never really done a film like this before so I had no idea going in that I would be that kind of exhausted.



Linda Cardellini brings up a great point about shooting at night. Long days of filming often require actors and crew to arrive when it’s still dark out and leave long after the sun has set, but horror movies like The Curse of La Llorona need to actually film certain scenes in the dark. The need to shoot those outdoor night scenes shifts around the working hours and messes with your sleep schedule, making them an exhausting part of horror films.




There is also the fact that horror films often require intense performances out of actors who are playing characters that are in fear for their lives. That’s an emotionally draining experience. Not to mention that screaming and running from supernatural threats takes a lot out of them. And by the time they're done, actors can end up completely exhausted.


The Curse of La Llorona was Linda Cardellini’s first film like this too; the Scooby-Doo movies aren't quite the same kind of horror experience. So even as a veteran actress with tons of film and TV credits to her name, she was still unprepared for the level of exhaustion that was in store for her making this Conjuring Universe movie.


The cast didn’t really get to ease into things either by saving the more intense and exhausting scenes for later in the shoot. As The Curse of La Llorona’s director Michael Chaves told CinemaBlend:





I was kind of talking about how this, because I come from commercials beforehand and how so much of that it’s the difference of a sprint to making a movie is a marathon. But it’s funny because in reality thinking about our schedules and each day that we had, each day was a sprint. Each day we had so many big set pieces and crazy things, it was always at a fever pitch.



The Curse of La Llorona is Michael Chaves’ first feature film. And although he might have expected a more measured pace, what he wound up with was a breakneck one. It sounds like there were no easy days with everyday involving some challenge that resulted in an exhausting filming experience. Fortunately, Michael Chaves was prepared for this kind of sprint because of his previous work commercial work.


You can check out Sean O'Connell discussing the filming experience with the cast and director of The Curse of La Llorona below.




The Curse of La Llorona, which looks terrifying, tells the story of an apparition, the Weeping Woman, stalking the children of 1973 Los Angeles. Linda Cardellini's social worker and her kids are drawn into the supernatural realm and must try and escape the wrath of this evil spirit. This is the sixth film in the Conjuring Universe and is the first feature film for Michael Chaves who will follow La Llorona up with The Conjuring 3.


The Curse of La Llorona opens in theaters this Friday, April 19. Check out our 2019 Release Schedule to keep track of all the movies you need to see as we approach the jam-packed summer movie season.

JK Rowling Is Releasing Four New Harry Potter E-Books

JK Rowling Is Releasing Four New Harry Potter E-Books
Harry, Ron, and Hemione during the battle of Hogwarts

There are few franchises quite as beloved as Harry Potter. What started with JK Rowling's acclaimed seven-book series has expanded to a massive property that includes movies, theme parks, and even a set of Broadway plays. Rowling is showing no signs of slowing down the Wizarding World, especially as the Universal theme parks add more attractions and the Fantastic Beasts franchise continues its tenure in theaters.


To the surprise and joy of the generations of Potterheads out there, it now looks like JK Rowling is releasing four new E-books set within the magical world of Harry Potter. While they're not sequels or focused on Harry and his friends, they'll shine a light on the history of magic within the canon.


The books are titled Harry Potter: A Journey Through... each focusing on a different aspect of Magical History: Divination, Magical Creatures, Potions & Herbology, and Charms/Defense Against The Dark Arts. The e-books are inspired by the British Library's Harry Potter exhibition, and the books about magical history which accompanied it.




This news comes to us from Pottermore, the go-to source for all things Harry Potter. The first of these new e-books will be available on June 27th, and Charms and Defense Against the Dark Arts, and Potions and Herbology will be the first two additions to the Wizarding World. Since it'll be some time before Fantastic Beasts 3 arrives in theaters, this is the perfect way to satiate the still rabid fanbase.


Since Harry Potter And The Sorcerer's Stone hit bookshelves in 1997, JK Rowling's Wizarding World hasn't stopped capturing the imaginations of generations. The kids who waited for each of the seven books to arrive can now pass it down to their children. And with the Fantastic Beasts movies and Harry Potter And The Cursed Child continuing the narrative that began those decades ago, the franchise remains at the top of the pop culture lexicon.


Related: Harry Potter’s J.K. Rowling Is Worried She Might Die Before She Finishes All Her Projects




Movies, plays, and amusement parks are one thing, but the true magic (pun intended) of the franchise has always been on the page. The Harry Potter movies did a great job at adapting JK Rowling's novels, but the books are filled with much more detail, allowing the universe to be more fleshed out. As such, new literature usually flies off of shelves. And in this case, fly into tablets and smart phones.


Harry Potter: A Journey Through will give the fandom a chance to get deep into the lore of the Wizarding World, and explain some of the magical events from the Harry Potter franchise. Every self-respective Potterhead has been waiting for their letter from Hogwarts, so being able to get some magical education through the new e-books is an opportunity that few are going to pass on.


The first two Harry Potter: A Journey Through e-books will be available on June 27th, and Fantastic Beasts 3 is currently set to arrive on November 12th, 2021. In the meantime, check out our 2019 release list.



Top Gun 2: What We Know So Far About Maverick

Top Gun 2: What We Know So Far About Maverick
Top gun maverick tom cruise motorcycle

Do you feel the need for speed? We're willing to bet that you probably do, because there's a long-awaited sequel coming to theaters next year, and it has us squarely in the Danger Zone. That's right, folks. We're talking about Top Gun 2 a.k.a. Top Gun: Maverick. Many fans of the original film have spent the better part of the last three decades wondering if and when the sequel would ever happen, and we now know that Paramount is hard at work bringing us the long-awaited follow-up to the classic naval aviator movie that defined a generation and created a number of instant pop culture touchstones.


Cameras recently began rolling on the highly-anticipated sequel to Tony Scott's 1986 classic, and now it's time to look into the project and see what we know about it. With that in mind, and ahead of the film's July 12, 2019 release, we have put together a handy guide of everything you need to know about Top Gun: Maverick before it flies its way into theaters. We have several different points to get to, so let's start with the status of the film itself.


What Is The Top Gun: Maverick Release Date?


As noted earlier, Top Gun: Maverick is currently aiming for a summer release date. More specifically, the film will bow for audiences on July 12, 2019. This generally lines up with what we would've expected from this sequel, as the original debuted in May 1986, and the Top Gun brand is generally associated with the summer blockbuster season.





The definitive release date for Top Gun: Maverick is also noteworthy because of the sheer number of false starts that this project has experienced over the years. A Top Gun sequel is something that Tom Cruise has talked about for a very long time, but now that Top Gun: Maverick actually has a release date and is in the midst of production, it means that the movie is actually closer than ever to becoming a reality.


What Is The Top Gun: Maverick Rating?


With Top Gun: Maverick currently shooting in San Diego, California, we don't know what the film will be rated just yet. That said, given the fact that the first film was rated PG-13, it would make sense to assume that the sequel could get a similar rating when it goes in front of the MPAA. Even if the story is darker than the original, the odds of an R classification seem pretty slim. This is, probably, not going to be that type of movie.


What Is The Top Gun: Maverick Story?


Key details about the story of Top Gun: Maverick remain under wraps, but the clues that we do have suggest something that will honor, specifically, the movie that came before. The fact that the sequel is filming in San Diego seems to suggest that we will once again see Maverick at the Top Gun academy in Miramar, which is where he chose to become an instructor at the end of the first film.





Also worth noting is the fact that rumors of drone warfare playing a role in the sequel have been blown out of proportion. In fact, CinemaBlend asked director Joseph Kosinski about this in 2017, and he specifically pointed out that Top Gun is more about pilots than it is about planes, so sending Maverick up against a set of advanced drones would not make sense for the ethos of the franchise. So, don't worry; it looks like this won't be another Stealth.


Who Is Working On Top Gun: Maverick?


As we have already noted in this guide (and we will continue to note), Top Gun: Maverick is bringing Tom Cruise back as the titular pilot. However, he is obviously not the only key figure involved in the development and production of this movie. Specifically, the film has also enlisted the filmmaking talents of none other than Joseph Kosinski, who is perhaps best known for his work on Tron: Legacy, Oblivion (another collaboration with Tom Cruise), and 2017's Only the Brave. Kosinski has some big shoes to fill, as he's taking over the late, great Tony Scott.


In addition to Joseph Kosinski, Top Gun: Maverick also has another major player behind the scenes as well: Jerry Bruckheimer. A key figure on the first movie, Bruckheimer is returning to produce the project along with Tommy Harper and David Ellison.





What Planes Will Appear In Top Gun: Maverick?


If you have seen the original Top Gun, then you already know that the F-14 fighter jet is as much of a character as any human seen in the film. That said, the Navy does not use the F-14 anymore, which means that it's time for us to look into the details and see what other planes might show up.


With that in mind, when the first-look at Top Gun: Maverick dropped earlier this year, it looked as if Maverick was walking towards an F-18 sitting on a tarmac. That said, the controversial image does not explicitly indicate that Maverick is going to get into that specific plane, leading some to wonder if there's another jet waiting in the wings (pun very much intended). If he doesn't get into the F-18, then it's very possible that we could also see him hop into the cockpit of the F-35.


How Much Will Top Gun: Maverick Connect To Top Gun?


At this point, we still know very little about Top Gun: Maverick or how it will connect to the movie that preceded it. Given the fact that the film will once again focus on Tom Cruise as Pete Mitchell, it makes plenty of sense to assume that this will provide the character with another trial to continue his arc and development. Having said that, when we consider how complete the arc of the first movie is, we still have no idea if any definitive narrative threads will carry over, aside from a few other returning characters.





Tom Cruise As Pete "Maverick" Mitchell


There's really no getting around this one. You cannot have a movie called Top Gun: Maverick without Maverick himself. Tom Cruise is set to return to the Top Gun universe as the hotshot fighter pilot, and we could not be more excited. The movie star has become a bona fide action icon in the years since the original debuted, with films like Mission: Impossible -- Rogue Nation and Collateral proving his stunt and dramatic chops, so we're excited to see what Cruise can do when he gets back in the cockpit.


With Tom Cruise reprising one of his most iconic roles, we're left to wonder how Maverick has changed in the years since the original movie. The original Top Gun is a movie about Maverick's acceptance of the death of his father and the death of Goose, which leads to hum no longer being an outsider. Given the completion of that arc, the new film will have to do something entirely different.


Val Kilmer As Tom "Iceman" Kazansky


One of the key sources of conflict in the original Top Gun came in the form of the rivalry between Maverick and Iceman during their time at the Top Gun academy. As his name suggested, Maverick's personality led him to fly by the seat of his pants, while Iceman preferred a colder and more measured approach to aerial combat. They reconciled their differences by the end of the movie, and now we can look forward to the continuation of that story with Val Kilmer returning to his famous role.





This should come as no surprise, as the former Batman has lobbied to return for Top Gun: Maverick for quite a while. Having said that, while we do know that Maverick will get in a jet in the upcoming sequel, we don't know if Iceman will still be a flyboy as well.


Wrigley "Riot" Bradshaw


Aside from the fact that Top Gun: Maverick will bring Tom Cruise's Pete Mitchell back into action for another round of badass dogfights, the most evident connection between the sequel and the original that we have been able to glean is the fact that Top Gun: Maverick will apparently bring in the son of Goose (Anthony Edwards) to play a role in the film. The death of Maverick's best friend continues to stand out as one of the most emotionally wrenching moments in the original movie, and the presence of his next of kin (briefly seen as a child in the first film) means that Maverick will still have to deal with the fallout of the accident when Goose's son shows up in a new generation of pilots.


That said, this raises some interesting questions when we consider how Goose's family views Maverick. In the original Top Gun, Maverick and Goose's wife (Meg Ryan) maintain a good relationship after the death of the beloved navigator, and it's never explicitly stated that anyone harbors any ill will towards Pete Mitchell -- if anything, the fact that Maverick isn't punished weighs on him even more. With three decades separating Goose's death and the introduction of his son (the casting of which has yet to be announced), Top Gun: Maverick needs to explain if this new character is a source of comfort for Maverick or a ghost from his past.





Tom Skerritt As Mike "Viper" Metcalf?


Top Gun is a franchise that predicates a lot of its stories on the concept of fatherhood and mentorship. Maverick's entire personality is carved out of the devastating loss of his dad, and much of his time at the Top Gun academy in 1986 was spent under the tutelage of Tom Skerritt's Viper -- a man who knew the truth about the fate of Maverick's father in Vietnam. We have yet to learn if Viper is set to return alongside Maverick and Iceman in Top Gun: Maverick, but Skerritt is still an active performer, so it remains possible.


Of course, one obvious thing that we should point out is that Viper's role has primarily been bequeathed to Maverick at this point. With Riot arriving at the Top Gun academy to train, Pete Mitchell will have to deal with his demons and grapple with his knowledge about how Goose died. This could easily pave the way for Skerritt's return in a sage-like role, or it could mean that he won't return at all.


Kelly McGillis As Charlotte "Charlie" Blackwood?


Though the bulk of the emotional core in the first Top Gun focused on the relationship between Goose and Maverick, there was also a love story that has become just as famous. Specifically, we're referring to Kelly McGillis as Charlie -- a civilian analyst responsible for teaching the students at the Top Gun Academy in Miramar. Charlie was the one woman who could get Maverick to settle down, and Top Gun ended with the implication that they would go on to start a life together.





With all of that said, Kelly McGillis has definitely slowed down as an actress over the years. Moreover, Top Gun: Maverick is not listed as one of her current projects on IMDb. With the cameras now rolling, we will have to wait and see if she will eventually sign onto the project.


Michael Ironside As Rick "Jester" Heatherly


Every good military movie needs a drill instructor character to beat the heroes down emotionally and teach them how to handle a fight. Full Metal Jacket had the late R. Lee Ermey, and Top Gun had Michael Ironside as Jester. The ace fighter pilot served as the perfect counterpoint to Tom Skerritt's more reserved Viper, and his battles against Maverick and Goose continue to stand out as some of the best elements of the original movie.


That said, we still have no idea if Michael Ironside will return as Jester in Top Gun: Maverick. The 68-year-old Sam Fisher voice actor remains very active as a performer, but he has not signed on for the sequel yet. This absence could indicate that he simply has not agreed to join the project yet, or it could mean that Jester retired from active duty sometime between 1986 and 2019.





Kenny Loggins And "Danger Zone"


Of course, while there are numerous iconic story elements that make Top Gun the classic action film that it is, few aspects of the movie can compare to the beloved soundtrack. Numerous artists contributed songs to the original Top Gun soundtrack, but it's Kenny Loggins' "Danger Zone" that has handily become the go-to song associated with the film. Now, with Top Gun: Maverick in development, Kenny Loggins is going back to the drawing board to rework "Danger Zone" and update it for the modern era.


We don't have much information to work with yet, but what Loggins has shared about the project is enticing nonetheless. Specifically, the singer has confirmed that he's toying with the idea of recording a duet version of the song. It will undoubtedly be tough to match the sheer iconography of the first film, but we are intrigued to see where "Danger Zone" goes from here. Given director Joseph Kosinski's history of working with popular artists like Daft Punk, M83, and Dierks Bentley in his previous films, it's anyone's guess as to whom they will get.

All The Planet Of The Apes Movies, Ranked

All The Planet Of The Apes Movies, Ranked
Charlton Heston as Taylor and Linda Harrison as Nova in the final scene of Planet Of The Apes

Before The Avengers, before Harry Potter and even before Star Wars, there was the Planet Of The Apes series. Starting with the original in 1968 and now up to its ninth film in the series, War For Planet Of The Apes, the series was one of the first major franchises in movie history.


Sure, there had been some long-running B-horror movie franchises and a handful of other examples in other genres – most notably James Bond - but Planet Of The Apes was basically the first one that set the template for what we understand to be major franchises, like The Avengers and Star Wars.


All told, there have been books, graphic novels, a TV show, toys and video games based on the series, just as there are for modern franchises. There are also nine Planet of the Apes movies that make up the franchise, though unlike some of the major franchises, the nine are separated into three distinct versions of the story and there isn’t a linear story to all nine. But, with that said, let’s get into which of these movies is the worst, which is the best and which ones fall in between.




9. Planet of the Apes (2001)


Tim Burton’s remake was supposed to be a hit. It had fans of the long-forgotten series, which had not released a new film for almost three decades, salivating at the thought of what the great Tim Burton could do with the world they loved. Surely his unique way of looking at things and his distinct style of filmmaking was perfect for a remake. After all, his Batman movie in 1989 reinvigorated that franchise.


Instead, sadly, this Planet of the Apes movie was a total disappointment. The whole project was in production hell for years before Tim Burton and his crew would take it on, casting Mark Wahlberg as a human astronaut that goes forward in time thousands of years and ends up on the Planet Of The Apes. Tim Roth plays the villain and Helena Bonham Carter stars as the love interest of sorts.


The plot is a time-traveling mess and it’s hard to follow, but it ends with Marky Mark somehow going back in time to what he thinks is his own time, on what looks like his Earth, until he looks up and sees Tim Roth’s ape character sitting on the chair in the Lincoln Memorial. So… it’s even further into the future? Who knows.




8. Battle for the Planet of the Apes (1973)


Battle For The Planet Of The Apes was the fifth and final installment of the original series. It was made on a shoestring budget and it shows. Even the reviews of the day said it felt like the franchise was on its last legs.


The film opens in the future, but tells the story, in flashback, of how Caesar, played by Roddy McDowell, after the war of Conquest Of The Planet Of The Apes, attempts to rebuild the world. His human foe, Kolp, leading what is left of the human population, rises up against Caesar and the Apes, and after some serious fighting, peace is made between the apes and the humans.


The movie, like its predecessor, Conquest, is meant to be a comment of racial equality, but also like its predecessor, it is little too on the nose and a little ham-handed.




7. Beneath The Planet Of The Apes (1970)


Beneath The Planet Of The Apes was a hastily thrown together sequel of the original 1968 movie, and it shows. Like a lot of direct sequels to big movies in the '70s and '80s, it sort of doesn’t fit into the larger narrative. Though it does end in the nuclear explosion that does create the post-apocalyptic world that would drive the events of Conquest Of The Planet Of The Apes.


Charlton Heston does briefly return from the original, though his role is significantly smaller, as the story follows another astronaut, Brent, that followed Heston’s character, Taylor, to the planet to rescue him. Roddy McDowall, who plays Cornelius in the original movie, is absent from this one, again showing that the big picture wasn’t in play here, as his character would become very important to the story arc in the future movies.


Beneath The Planet Of The Apes a good enough movie, but it really lacks the broader vision that would come with the following movies. It’s just sort of a cut and dry simple sequel that quickly tries to follow the main story of the first movie and the bigger picture, including the weird telepathic humans that don’t really have much of a larger role in the following movies.




6. Conquest Of The Planet Of The Apes (1972)


Conquest Of The Planet Of The Planet Of The Apes is the first time fans of the series would meet a fully grown Caesar. The character Caesar is perhaps the most famous character in the series, as he played a pivotal role in the end of the original five films and is the hero of the reboot series that began in 2011.


Conquest Of The Planet Of The Apes follows Caesar, who was born to Cornelius and Zira in Escape From The Planet Of The Apes, which was set in the 1970s. In Conquest, set in the early 1990s in America, Caesar is living as a circus performer, hiding his ability to speak and his intelligence with his handler, Armando.


Caesar is tracked by Kolp (who is also fully introduced in this film) and is eventually captured, but he escapes after he avoids execution. Caesar leads the apes in rebellion against the humans, and at the end he shows his mercy and makes a speech declaring peace and his desire to see apes and humans live together, a theme that was continued in Battle.




5. Escape From The Planet Of The Apes (1971)


Escape From The Planet Of The Apes is when the series really starts to put together a larger story, and it all sort of happened as a happy accident. Due to budget constraints, the film was set in 1971 New York City, so it wouldn’t require elaborate sets and costumes like the previous two.


Roddy McDowall returns to the fold as his character, Cornelius, and his wife Zira escape the apocalypse of Beneath on Taylor’s spaceship and land in current-day New York. At first they are welcomed, but, as would become a recurring theme in the series, they're eventually discriminated against once it is revealed that Zira is pregnant with Caesar.


Escape From The Planet Of The Apes begins the larger story of how the apes came to dominate Earth in the future and the genesis of intelligent apes. Like all the movies, it’s a little cheesy compared to today’s movies, but the story has vision, which was not only new for the Apes movies, but also movies on the whole. The first true sci-fi franchise was really born with Escape From The Planet Of The Apes.




4. Dawn Of The Planet Of The Apes (2014)


Dawn Of The Planet Of The Apes is the second entry in the rebooted trilogy that starts with Rise Of The Planet Of The Apes. It explores the beginnings of the conflict between the newly intelligent apes, led by Caesar, played by the absolutely amazing Andy Serkis, against what is remaining of the human population after the Simian Flu that gave increased intelligence to the apes and all but completely wiped out the human population.


All three films in the rebooted trilogy are excellent and Dawn is no exception. Going back the first one, Rise, one of the smartest things the creators of the new series did was ground the origin story of the Caesar and the smart apes in true science fiction. Instead of a simple story that starts with a time-traveling astronaut, they base the genesis of the smart apes on biotech and simple evolution. It’s a great choice.


Unlike the original Planet of the Apes series' first sequel, it’s clear from this sequel that the larger story has been more fully fleshed out from the beginning. While much of Dawn deals with the internal conflicts among the ape population, particularly Caesar and his rival Koba, the big picture conflict with the humans is at the heart of it, as Caesar wants to live in peace, but Koba sees no option but war. Like the original series, the reboots serve as a commentary for race relations and equality.




3. War For The Planet Of The Apes (2017)


The final installment (for now) of the new trilogy, War For The Planet Of The Apes is a tremendous conclusion to the Caesar story and the origins of the “new” planet.


War For The Planet Of The Apes is also filled with nice references to the original series, like the twist of having Caesar’s son named Cornelius, rather than Cornelius being the name of Caesar’s father in the original series. Caesar also rescues a mute woman named Nova, which is a nod to the original character Nova from the first movie, who is also a devolved human.


The plot of the film is driven by great performances by Andy Serkis again as Caesar and Woody Harrelson as his human antagonist, the evil Colonel. War continues the broader themes of equality by using The Colonel as human obsessed with killing the evolved apes rather than live in harmony, and this eventually leads to Caesar being forced into a position that he didn’t want to take: a violent uprising against The Colonel and his men.




2. Rise Of The Planet Of The Apes (2011)


The reboot of the Planet Of The Apes series was an instant classic. Unlike its two successors, Dawn and War, it is light on pure action, at least until the end, and it is strong as an origin story. Like most great science fiction, the story is based somewhere near reality.


In Rise Of The Planet Of The Apes, viewers learn about a drug that James Franco’s character, Will, is developing to treat Alzheimer’s Disease. Testing for the drug is being done on apes. One of the apes is Caesar’s mother, and when she is exposed to the drug, her intelligence increases dramatically. However, she also loses control and is shot, but not until after she has given birth to Caesar, who inherited his mother’s intelligence.


Will takes Caesar home and continues to secretly develop the drug for his father, who is suffering. Eventually, Caesar begins to understand the larger world and his low standing in it as a primate, and after attacking Will’s neighbor, he ends up in monkey jail, which further steels his resolve to rise up. He does finally lead a revolution and the movie ends with Caesar and the rest of the apes escaping to the Redwood forests of Northern California, setting up the conflicts of the future.




1. Planet of the Apes (1968)


The one that started them all is still the best. Sure the original Planet Of The Apes is a little campy and it’s not nearly as slick or as good looking as the reboots, but it is the one that first grabbed people with the amazing story with the incredible twist.


The first time anyone sees the movie, especially if they don’t know the ending, it digs deep into the viewer’s imagination. The twist, when Charlton Heston’s character Taylor sees the top of the Statue Of Liberty and realizes that he is in fact trapped in the future and that the fate of humanity is doomed, is just brilliant. It’s the kind of story that sticks with audiences for a long time. It’s frankly one of the most iconic scenes in movie history.


Planet Of The Apes deserves its place at the top of the list because obviously without it, there would be no list. It has its drawbacks, like how the special effects are primitive (no pun intended) by today’s standards, but that doesn’t matter. It’s the story (and that twist) that matter. Charlton Heston’s performance is great, as is Roddy McDowall’s as Cornelius. It’s a movie that everyone should see at least once and probably way more than that.




So that’s the list. We hope there are more Planet of the Apes movies in the future, but in the meantime, what do you think? Let us know in the comments and answer the poll below!